clear

Albert Oehlen, Thomas Struth et al.

Oracle (group show)
The Broad, Los Angeles
29 April 2017 - 3 September 2017

Albert Oehlen, FN23, 1990 © Albert Oehlen. Courtesy of The Broad
Albert Oehlen, FN23, 1990 © Albert Oehlen. Courtesy of The Broad

In an increasingly small world that spans politics, culture and commerce, The Broad will present an interpretation of the elusive globalizing forces at work in contemporary society in Oracle, a free collection installation this spring that will fill the museum’s first-floor galleries with more than 30 works from the Broad collection. Opening April 29, 2017, the four-month installation will feature works by over 20 artists including El Anatsui, Mark Bradford, Peter Halley, William Kentridge, Julie Mehretu, Shirin Neshat, Albert Oehlen, Jeff Wall and Terry Winters, plus recent acquisitions by Ericka Beckman, Sterling Ruby, Oscar Murillo, Tauba Auerbach and Andreas Gursky. Four artworks in the installation will make their debut in Los Angeles, including one work completed by the artist this year.

From everyday experiences to protest movements as monumental as the Arab Spring uprisings across the Middle East, to themes that probe systems of social control or examine global commerce, artworks in Oracle tackle the effects of organizational frameworks on global events and private individuals. Some works in the installation symbolize marketplace machinations, both official and unofficial, while others are meditations on games, surveillance, vast data sets, mathematical and biological patterns, and even the logic of art itself. Just under the surface of the works in Oracle is an air of anxiety, as if individuals’ freedoms within these manmade phenomena are illusory or beyond reach.

 “‘Globalization’ is a term now in the forefront in politics and the media, but for decades, contemporary artists have represented it in their work, responding to and decoding its many forms. Oracle looks at how artists have anticipated the forces that have real consequences in our daily lives yet can be obscured from direct view.” - Joanne Heyler, founding director of The Broad

The Broad, Los Angeles


Additional:

Thomas Struth

Aspen Art Museum, Aspen (solo show)
19 January – 17 June, 2018

Thomas Struth, Front Yard, Tel Aviv 2014, 2014 © Thomas Struth
Thomas Struth, Front Yard, Tel Aviv 2014, 2014 © Thomas Struth

Acclaimed German artist Thomas Struth’s pivotal series on the Middle East is on view in Gallery 1 in its entirety for the first time. The series of eighteen monumental photographs of Israel and Palestine taken between 2009 and 2014 depicts places and people throughout the region, encompassing street views, sites of technological research, and family portraits. Photographing within the political climates of East Jerusalem, Tel Aviv, the Golan Heights, Ramallah, Al-Khalil/Hebron, Nazareth, and Negev, Struth conveys vivid and emotional narratives of place.

Aspen Art Museum, Aspen


Thomas Struth

Nature & Politics (solo show)
Saint Louis Art Museum, Saint Louis
5 November 2017 - 21 January 2018

Thomas Struth, Tokamak Asdex Upgrade Interior 2, Max Planck IPP, Garching, 2009 © Thomas Struth
Thomas Struth, Tokamak Asdex Upgrade Interior 2, Max Planck IPP, Garching, 2009 © Thomas Struth

Thomas Struth: Nature & Politics is a photographic exploration of cutting-edge industrial and scientific research spaces. In over 35 works created within the past decade, the celebrated German artist Thomas Struth ambitiously takes technology and engineering as his overarching subject. With vivid color and monumental scale, he investigates the fascinating complexities of sites where knowledge, ambition, and imagination are advanced.

The featured works are drawn from the artist's visits to Europe, America, Asia, and the Middle East. Struth takes viewers into spaces normally kept from public view, such as aeronautical centers, robotics laboratories, and nuclear fusion facilities, examining humanity's attempts to understand and harness forces of nature, often at great cost of resources.

Nature & Politics intersperses Struth's technological subjects with other recent work, including images of the fantasy environments of Disneyland and the war-torn landscapes of the West Bank. This poses intriguing questions about the relationship between nature and humanity in our increasingly fabricated world, as well as drawing attention to the financial and political ambition that underscores the massive technological endeavors of our present day.

Saint Louis Art Museum, Saint Louis


Albert Oehlen

Palazzo Grassi, Venice (solo show)
From 8 April 2018


Thomas Struth

Figure Ground (solo show)
Haus der Kunst, Munich
5 May 2017 - 7 January 2018

Thomas Struth, Schaltwerk 1, Berlin 2016 © Thomas Struth
Thomas Struth, Schaltwerk 1, Berlin 2016 © Thomas Struth

This exhibition of the renowned German photographer Thomas Struth (born in 1954), presents a comprehensive survey of his genre-defining oeuvre. Covering four decades of work and every phase of his career, the exhibition focuses on Struth's social interests, which represent the important forces of his influential artistic development. Comprised of more than 120 works, this exhibition is the largest survey of his artistic career to date. It brings together never-before-shown early works and collected research material drawn from his archive; these, elucidate the far-reaching and longstanding ideas behind the works and demonstrate the process of his artistic translation up to the perfection of the image.

The survey links these early ideas to well-known work groups such as "Straßen" (Streets), "Unbewusste Orte" (Unconscious Places), "Portraits", "Museumsbilder" (Museum Pictures), "Paradise", and "Audiences". These are placed in dialogue with the slide projection "Nachtprojekt" produced for Skulptur Projekte Münster in 1987, as well as video portraits and other video projections, the recent photographic series from "Nature & Politics", and site-specific works such as "Löwenzahnzimmer" (Dandelion Room), the landscape and flower photographs created for hospital rooms in Winterthur, Switzerland. This interplay highlights the artist’s ability to combine analysis and pictorial invention in multifaceted works and techniques that result in overarching and powerful photographic images.

The exhibition is curated by Thomas Weski and organized by Haus der Kunst.

Haus der Kunst, Munich