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Albert Oehlen, Thomas Struth et al.

Oracle (group show)
The Broad, Los Angeles
29 April 2017 - 3 September 2017

Albert Oehlen, FN23, 1990 © Albert Oehlen. Courtesy of The Broad
Albert Oehlen, FN23, 1990 © Albert Oehlen. Courtesy of The Broad

In an increasingly small world that spans politics, culture and commerce, The Broad will present an interpretation of the elusive globalizing forces at work in contemporary society in Oracle, a free collection installation this spring that will fill the museum’s first-floor galleries with more than 30 works from the Broad collection. Opening April 29, 2017, the four-month installation will feature works by over 20 artists including El Anatsui, Mark Bradford, Peter Halley, William Kentridge, Julie Mehretu, Shirin Neshat, Albert Oehlen, Jeff Wall and Terry Winters, plus recent acquisitions by Ericka Beckman, Sterling Ruby, Oscar Murillo, Tauba Auerbach and Andreas Gursky. Four artworks in the installation will make their debut in Los Angeles, including one work completed by the artist this year.

From everyday experiences to protest movements as monumental as the Arab Spring uprisings across the Middle East, to themes that probe systems of social control or examine global commerce, artworks in Oracle tackle the effects of organizational frameworks on global events and private individuals. Some works in the installation symbolize marketplace machinations, both official and unofficial, while others are meditations on games, surveillance, vast data sets, mathematical and biological patterns, and even the logic of art itself. Just under the surface of the works in Oracle is an air of anxiety, as if individuals’ freedoms within these manmade phenomena are illusory or beyond reach.

 “‘Globalization’ is a term now in the forefront in politics and the media, but for decades, contemporary artists have represented it in their work, responding to and decoding its many forms. Oracle looks at how artists have anticipated the forces that have real consequences in our daily lives yet can be obscured from direct view.” - Joanne Heyler, founding director of The Broad

The Broad, Los Angeles


Additional:

Thomas Struth

The Power of Images (group show)
MAST Foundation, Bologna
3 May - 24 September 2017

Thomas Struth, Hot Rolling Mill, ThyssenKrupp Steel, Duisburg 2010, 2010 © Thomas Struth
Thomas Struth, Hot Rolling Mill, ThyssenKrupp Steel, Duisburg 2010, 2010 © Thomas Struth

The MAST Foundation presents an exhibition of images from its collection of industrial photography. Sixty-seven authors from the 1920s up to the present time show, with more than one hundred works – some of which made up of dozens of snapshots – the disruptive power of the photographic language in its many meanings.

The exhibition is a celebration of images, a pictorial epic, a dance of visions from the world of industry which parade before our eyes, a visual abundance of insights into heavy manufacturing, machine industry, digitalisation, and throw-away society. The perspectives of sixty-seven photographers guide us through the realm of production and consumption, showing us the extraordinarily rich visual world of labour, factories and society.

The exhibition traces central spaces in the industrial-technological system, it touches upon social and political questions, but rather than simply identifying hard facts the images attempt to depict more extensive, deeper connections, to present us with complex dimensions, also implying an emotional involvement.

MAST Foundation, Bologna