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Darren Almond, Charles Gaines et al.

Time as Landscape - Inquiries of Art and Science (group show)
Cornell Fine Arts Museum, Rollins College, Winter Park
29 September - 31 December 2017

Wonder. It is the experience of awe and inspiration; and also the action of questioning and seeking. Wonder – as experience and action – is cultivated mutually through science and art, and contemporary practices in both fields are more kindred than ever. In fact, their synergies have led in recent years to more overt cross-references and also fruitful and inventive collaborations between artists and scientists. The source of inspiration for this particular exhibition is a selection of artists who desire to understand, question and describe the subject of time: as scientific fact, as relative experience, as aesthetic archive.

The topic is timely as ongoing discussions of STEAM curriculum reverberate in our schools. The preciousness of time is also amplified by growing concerns about the environment and global mortality from a macro perspective to a micro vantage point as individuals struggle to make sense of a faster-paced, connected world where everything runs on the 24-hour news cycle.

Cornell Fine Arts Museum


Additional:

Charles Gaines

Solidary & Solitary: The Joyner/Giuffrida Collection (group show)
Nasher Museum of Art, Durham
22 February – 15 July 2018

Charles Gaines, Numbers and Trees, Central Park, Series I, Tree #9, 2016. © Charles Gaines. Courtesy Paula Cooper Gallery, New York
Charles Gaines, Numbers and Trees, Central Park, Series I, Tree #9, 2016. © Charles Gaines. Courtesy Paula Cooper Gallery, New York

The Nasher Museum presents a major nationwide touring exhibition that offers a new perspective on the critical contribution that artists of African descent have made to the evolution of abstract art from 1940s to the present. Solidary & Solitary: The Joyner/Giuffrida Collection is the first large-scale public exhibition to bring together a lineage of visionary black artists. The exhibition begins in the mid-20th century with Abstract Expressionist Norman Lewis and traces a line to some of today’s most celebrated artists, including Theaster Gates and Lorna Simpson, as well as Mark Bradford, who represents the United States at the Venice Biennale 2017.

Solidary & Solitary draws on the Pamela J. Joyner and Alfred J. Giuffrida Collection, which started in 1999 with a focus on abstract work by post-war and contemporary African-American artists, from 1945 to the present. In recent years, the collection’s focus has expanded to include artists from Africa and the global African diaspora.

Nasher Museum of Art, Durham


Darren Almond

"The Light Between Us" (solo show)
Villa Pignatelli - Casa della Fotografia, Naples
20 January – 4 March 2018

Darren Almond, Amalfi Sketchbook V, 2014 © Darren Almond
Darren Almond, Amalfi Sketchbook V, 2014 © Darren Almond

Charles Gaines

Numbers and Trees IV, #2 Xeno (orange) (site-specific installation)
ICA Miami, Miami
1 December 2017 - 4 November 2018

Charles Gaines, Numbers and Trees IV, #2 Xeno (orange), detail, 2017 © ICA Miami, Charles Gaines
Charles Gaines, Numbers and Trees IV, #2 Xeno (orange), detail, 2017 © ICA Miami, Charles Gaines

Charles Gaines’s multi-panel installation activates ICA Miami’s central stairwell, and explores the artist’s approach to seriality through a unique vertical composition.

The artist’s practice places him within the legacy of Conceptualism, evidenced by works such as his gridded, serial images of trees painted on plexiglass that successively plot the shape of trees on one another. Since the 1970s, he has used self-determined rules in order to translate photographic information; he has said: “I use systems in order to provoke the issues around representation.” Here, photographs of trees are translated in various forms of colorful abstraction.

Gaines’s strict method of presenting his works is notably inspired by early Conceptual practices, but he doesn’t utilize the formal rules or use of language and pictures in the same way that artists such as Joseph Kosuth would. What he intends to lay bare is the arbitrariness and dependence on context of all processes of significance. In simpler terms, in the artist’s view, content, meaning, and emotions do not develop naturally, nor are they universal.

ICA Miami, Miami


Charles Gaines

Field Guide (group show)
Remai Modern, Saskatoon
21 October 2017 - 25 February 2018

On October 21, 2017 Remai Modern will proudly present the inaugural exhibition for Canada’s new museum of modern art.

Field Guide, curated by Executive Director & CEO, Gregory Burke, and Director of Programs & Chief Curator, Sandra Guimarães, will animate the entire building. Selected works from the museum’s collection will be displayed in dialogue with contemporary projects, commissions and installations by international and Canadian artists. Upon opening, Remai Modern will be an artist-centred institution that raises questions, inspires discussion, and enables transformative experiences among both local and global audiences.

“The concept for Field Guide emerges from a set of questions we asked ourselves during the establishment of Remai Modern, including: What is modern? Can art confront reality? What is urgent and why? How will Indigeneity shape the future? And what role can be played by a new art museum opening in Saskatoon, Canada?” said Gregory Burke, Executive Director & CEO. “These questions, and others, will continue to inform the development of our programs, articulating a spirit of active engagement, curiosity and disruption.”

The exhibition will be anchored by several major artist projects that propose new social, personal, and political engagements with the institution and its audiences. A full list of artists included in Field Guide will be announced in the fall and will feature emerging and established artists working in a wide variety of media and across disciplines.

Remai Modern, Saskatoon


Darren Almond

Visions of Nature (group show)
Kunst Haus Wien Museum Hundertwasser, Vienna
13 September 2017 - 18 February 2018

Darren Almond, Fullmoon @Cerro Chalten, 2013 © Darren Almond, Courtesy White Cube Gallery
Darren Almond, Fullmoon @Cerro Chalten, 2013 © Darren Almond, Courtesy White Cube Gallery

Mankind’s relationship with nature is subject to continual change. But never before in our planet’s history have the changes caused by mankind’s impact on nature had such far-reaching repercussions as they do today. The exhibition has taken twenty-five artistic positions by international and Austrian artists working in the medium of photography and video to examine the way in which our relationship with nature is currently reflected from an artistic point of view. They address the theme of nature and the ways of representing and depicting nature against the backdrop of the Anthropocene, the first epoch in the Earth’s history to be shaped by mankind’s impact.

All the works are situated within the interplay between nature as a place of longing and nature as a resource, and anchored in the juxtaposition between vulnerable eco-system and a force of nature capable of enduring all. They demonstrate that the photographic depiction of nature and landscape as a construct shapes our perception of nature; they also illustrate the ways in which we human beings approach, and distance ourselves from, nature. The spectrum of works on show (ranging from Darren Almond to Anna Reivilä) also serves to highlight just how changeable our relationship with nature actually is. Nature is not a place that stands detached and aloof from cultural contexts; rather, nature and culture are inseparably linked.

Kunst Haus Wien Museum Hundertwasser, Vienna