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Darren Almond, Charles Gaines et al.

Time as Landscape - Inquiries of Art and Science (group show)
Cornell Fine Arts Museum, Rollins College, Winter Park
29 September - 31 December 2017

Wonder. It is the experience of awe and inspiration; and also the action of questioning and seeking. Wonder – as experience and action – is cultivated mutually through science and art, and contemporary practices in both fields are more kindred than ever. In fact, their synergies have led in recent years to more overt cross-references and also fruitful and inventive collaborations between artists and scientists. The source of inspiration for this particular exhibition is a selection of artists who desire to understand, question and describe the subject of time: as scientific fact, as relative experience, as aesthetic archive.

The topic is timely as ongoing discussions of STEAM curriculum reverberate in our schools. The preciousness of time is also amplified by growing concerns about the environment and global mortality from a macro perspective to a micro vantage point as individuals struggle to make sense of a faster-paced, connected world where everything runs on the 24-hour news cycle.

Cornell Fine Arts Museum


Additional:

Darren Almond

Visions of Nature (group show)
Kunst Haus Wien Museum Hundertwasser, Vienna
13 September 2017 - 18 February 2018

Darren Almond, Fullmoon @Cerro Chalten, 2013 © Darren Almond, Courtesy White Cube Gallery
Darren Almond, Fullmoon @Cerro Chalten, 2013 © Darren Almond, Courtesy White Cube Gallery

Mankind’s relationship with nature is subject to continual change. But never before in our planet’s history have the changes caused by mankind’s impact on nature had such far-reaching repercussions as they do today. The exhibition has taken twenty-five artistic positions by international and Austrian artists working in the medium of photography and video to examine the way in which our relationship with nature is currently reflected from an artistic point of view. They address the theme of nature and the ways of representing and depicting nature against the backdrop of the Anthropocene, the first epoch in the Earth’s history to be shaped by mankind’s impact.

All the works are situated within the interplay between nature as a place of longing and nature as a resource, and anchored in the juxtaposition between vulnerable eco-system and a force of nature capable of enduring all. They demonstrate that the photographic depiction of nature and landscape as a construct shapes our perception of nature; they also illustrate the ways in which we human beings approach, and distance ourselves from, nature. The spectrum of works on show (ranging from Darren Almond to Anna Reivilä) also serves to highlight just how changeable our relationship with nature actually is. Nature is not a place that stands detached and aloof from cultural contexts; rather, nature and culture are inseparably linked.

Kunst Haus Wien Museum Hundertwasser, Vienna


Charles Gaines

Pivotal: Highlights from the Collection (group show)
Orange County Museum of Art, Newport Beach
7 October - 31 December 2017

Charles Gaines, Numbers And Trees X #4, Red Violet January, 1991. Courtesy the artist and Orange County Museum of Art
Charles Gaines, Numbers And Trees X #4, Red Violet January, 1991. Courtesy the artist and Orange County Museum of Art

OCMA has always championed artistic experimentation and innovation through a commitment to showing and collecting the work of dynamic and groundbreaking emerging artists. This installation will reveal how impactful and prescient OCMA has been in supporting the careers of some of the most influential artists from this region at pivotal moments in their careers.

Orange County Museum of Art, Newport Beach


Charles Gaines

Starless Midnight (group show)
BALTIC Centre for Contemporary Art, Gateshead
20 October 2017 - 21 January 2018

In the impromptu acceptance speech Dr Martin Luther King gave for his honorary degree from Newcastle University he spoke of three urgent problems throughout the world: ‘the problem of racism, the problem of poverty and the problem of war.’ Despite the advancements of civil rights since this speech, his words still ring true today and are set against a backdrop of political populism, post-truth and so-called ‘fake news’.

This major group exhibition, presented within BALTIC’s Level 3 gallery, will bring together leading international artists whose work, in very different ways, each sheds light upon this contemporary condition within a framework of the important legacies of Dr. King. Some new work will also be commissioned especially for the exhibition.

Baltic Centre for Contemporary Art, Gateshead


Charles Gaines

Dimensions of Black (group show)
Manetti Shrem Museum, UC Davis, Davis
17 September - 28 December 2017

Organized by the Museum of Contemporary Art San Diego in collaboration with the San Diego African American Museum of Fine Art, Dimensions of Black traces the legacy of UC San Diego's MFA program by drawing from the museums' permanent collections. With over 30 artworks from the 1960s to today, the exhibition traverses crucial interests and perspectives that have shaped the art of our time.

Manetti Shrem Museum


Charles Gaines

Active Ingredients: Prompts, Props Performance (group show)
Williams College Museum of Art, Williamstown
20 October 2017 - 7 January 2018

Charles Gaines, Notes on Social Justice: Wait Till Next November, (1892), 2013 © Charles Gaines. Courtesy Paula Cooper Gallery, New York
Charles Gaines, Notes on Social Justice: Wait Till Next November, (1892), 2013 © Charles Gaines. Courtesy Paula Cooper Gallery, New York

Active Ingredients: Prompts, Props, Performance flips the script; it reveals the performativity of art objects, and the objectness of human performers. This two-part project consists of a gallery-based exhibition and a series of performances that together meditate on the meanings, subtleties, and complications of the term “performance.”

The exhibition casts props and sculptures as “performers” that prompt audience actions and interactions. The live series, A People’s History of Performance Art, stages iconic photographs of canonical performance art as tableaux vivants, turning actors into objects. Active Ingredients calls into question the distinction between “live and ephemeral” and “dead and static.”

Williams College Museum of Art, Williamstown


Charles Gaines

The Score (group show)
The Ian Potter Museum of Art, University of Melbourne, Melbourne
1 August - 5 November 2017

A musical score is a form of translation. It transcribes sound into drawing, by representing the aural complexities of pitch, rhythm and tempo as visual symbols.

The Score expands upon this spirit of transformation to ask, if music can be represented by notes on a staff, why not by colours? If a song can be performed by the voice, why not with silent hand gestures? And how would dance based upon the syllables of a poem, or music based upon the shape of a leaf manifest?

In this international group exhibition, scores and notation are considered as a starting point to explore the current cross-disciplinary trend in contemporary art, which has seen dance, music and vocal performance increasingly incorporated into visual artworks. The Score presents a range of contemporary and historical artworks that shift between one discipline to another. Musical notation becomes a visual metaphor for a moment of translation between forms – the point where creative leaps and conceptual shifts spark new possibilities.

Spanning all three floors of the Potter, the exhibition will include examples of music and dance notation, from Medieval manuscripts through to graphic notation of the 1960s, alongside artworks and performances.

A performance program will accompany the exhibition, including a presentation of US artist Charles Gaines’ chamber opera Sound Text, a vocal and music score derived from political manifestoes; and Michaela Gleave’s Galaxy of Suns, a 36-part choir performance based upon the location of the stars.

The Ian Potter Museum of Art, University of Melbourne, Melbourne


Charles Gaines

Projects 107: Lone Wolf Recital Corps (group show)
Museum of Modern Art, New York
19 August - 9 October 2017

The Museum of Modern Art presents Projects 107: Lone Wolf Recital Corps. The Lone Wolf Recital Corps, a multidisciplinary performance collective founded in 1986 by artist and musician Terry Adkins (American, 1953–2014), has an accumulative, rotating membership of collaborators in various musical and visual arts disciplines. During Adkins’s lifetime the Corps performed within and in conjunction with Adkins’s exhibitions; described by Adkins as “recitals,” these performances incorporated spoken word, live music, video projection, and costumed, choreographed movement. For Adkins, these “installation based experiences [issued] from an ongoing quest to reinsert the legacies of unheralded immortal figures to their rightful place within the panorama of history.” The Lone Wolf Recital Corps’ performances, which Adkins orchestrated with the collaborative improvisation of the Corps, have commemorated and celebrated such figures as John Brown, John Coltrane, Matthew Henson, Bessie Smith, and others.

Projects 107 will be the first exhibition to reunite the Lone Wolf Recital Corps since Adkins’s death. Conceived as a series of live performances by the reconstituted Corps, a changing group of artists will reprise selections from the group’s repertoire in an installation of Adkins’ sculptures. The exhibition will be supplemented by documentary video of earlier recitals, as well as performance props, costumes, and ephemera that trace the history of the Corps.

Projects 107 will bring together an intergenerational roster of artists and musicians, including Sanford Biggers, Don Byron, Jean-Paul Bourelly, Vincent Chancey, Arthur Flowers, Charles Gaines, Tyehimba Jess, Rashid Johnson, Demetrius Oliver, Cavassa Nickens, Clifford Owens, Kamau Patton, Dread Scott, Jamaaladeen Tacuma, Robert Wisdom, Tukufu Zuberi, and others.

Museum of Modern Art, New York


Darren Almond

Tidalectics (group show)
TBA21 - Thyssen-Bornemisza Art Contemporary Academy, Vienna
2 June - 19 November 2017

Darren Almond, A, 2002 (video still) Courtesy of Jay Jopling | White Cube. © Darren Almond
Darren Almond, A, 2002 (video still) Courtesy of Jay Jopling | White Cube. © Darren Almond

...like the movement of the ocean she’s walking on, coming from one continent/continuum, touching another, and then receding (‘reading’) from the island(s) into the perhaps creative chaos of the(ir) future... – Kamau Brathwaite

Tidalectics is an oceanic worldview, a different way of engaging with the oceans and the world we inhabit. Unbound by land-based modes of thinking and living, the exhibition is reflective of the rhythmic fluidity of water and the incessant swelling and receding of the tides.

TBA21–Academy’s first exhibition, Tidalectics, presents thirteen standout artists whose distinctive works cast oceanic perspectives on the cultural, political, and biological dimensions of the oceans, some examining the effects of human-made issues such as climate change and sea-level rise, and others reimagining human and “more-than-human” relationships. Tidalectics will comprise nine newly commissioned works, many flowing from the Academy’s expeditions in the Pacific Ocean, alongside exceptional pieces from the Thyssen-Bornemisza Art Contemporary (TBA21) collection.

Taking its title from a play on words by the celebrated Barbadian poet-historian Kamau Braithwaite, Tidalectics seeks to comprehend our histories as trajectories tossed by waves, from ocean crossings to systems of exchange, myths, and microbial origins. The exhibition will highlight processes of cultural adaptation and material change, presenting a rich framework for understanding the coalescing polarities of contemporaneity and history, science and poetics, routes and roots, and ourselves—mostly land-dwelling humans—with the oceans and their many and diverse inhabitants.

Darren Almond’s video A (2002) from the TBA21 collection presents an Antarctic world of infinite whites devoid of human presence, accompanied by a sound track that alternates between dreamy serenity and blood-thumping menace.

TBA21, Vienna


Darren Almond

Man in the Mirror (group show)
Vanhaerents Art Collection, 24 April 2014 - 28 October 2017

The Vanhaerents Art Collection is pleased to announce its third exhibition, entitled Man in the Mirror, which will be open to the public from May 3,2014 . For this presentation, the founder and patron of the collection – the former building contractor Walter Vanhaerents – joined forces with Emma Dexter, who in recent years has curated widely acclaimed shows forICAand Tate Modern.

Set to run for a period of three years, the exhibition Man in the Mirror features a selection of over 40 largescale works from the Vanhaerents Art Collection. On display are paintings, sculptures and installations that incorporate mirrors or reflecting materials, as well as artworks that hold a mirror up to the audience, encouraging introspection, critical self-awareness and reflective thought.

With a nod to the eponymous comedy film from 1936 and Michael Jackson’s famous song, this thematic exhibition extends over three floors. Combining recently created artworks with seminal, historical exponents of arte povera, Conceptualism and Neo-Geo, it covers a wide array of topics such as time and space, matter and mind, and individual and collective identity. Concurrently, it raises intricate questions about art, society and the human body. (press release Vanhaerents Art Collection)


Vanhaerents Art Collection, Brussels