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Günther Förg, Thomas Struth et al.

German Encounters - Contemporary Masterworks from the Deutsche Bank Collection (group show)
Garage Gallery, Doha Fire Station, Qatar Museums, Doha
3 October 2017 - 20 January 2018

A Major highlight of the Qatar Germany 2017 Year of Culture is a selection of artworks from the Deutsche Bank Collection – one of the world's most important corporate collections of contemporary art – on show at the Garage Gallery at the Fire Station.

More than 100 exemplary works on paper including photographs, and paintings by 27 artists provide an informative overview of the development of German art – and thus also of the history of the country – from the 1960s up to the present day.

Qatar Museums


Additional:

Thomas Struth

Image Building: How Photography Transforms Architecture (group show)
Parrish Art Museum, Water Mill
18 March - 17 June 2018

Image Building: How Photography Transforms Architecture is a comprehensive survey that explores the dynamic relationship between architecture, photography, and the viewer. Seen through the lens of historical and architectural photographers from the 1930s to the present, Image Building offers a nuanced perspective on how photographs affect our understanding of the built environment and our social and personal identities. The exhibition features 57 images that explore the social, psychological, and conceptual implications of architecture through the subjective interpretation of those who captured it.

Organized by guest curator Therese Lichtenstein, Ph. D, Image Building brings together works by 19 renowned, under-recognized, and emerging artists ranging from early modern to contemporary architectural photographers. In addition to photographs, Image Building includes ephemera such as magazines and books that illustrate how the meaning of photography shifts when presented in the context of high art or mass culture. 

Organized thematically into Cityscapes, Domestic Spaces, and Public Places, the exhibition examines the relationship between contemporary and historical approaches to photographing buildings in urban, suburban, and rural environments, looking at influences, similarities and differences. By juxtaposing these photographs, Image Building creates a dialogue between the past and present, revealing the ways photography shapes and frames the perception of architecture, and how that perception is transformed over time.

Parrish Art Museum, Water Mill


Thomas Struth

Thomas Struth (solo show)
Aspen Art Museum, Aspen
19 January – 10 June, 2018

Thomas Struth, Front Yard, Tel Aviv 2014, 2014 © Thomas Struth
Thomas Struth, Front Yard, Tel Aviv 2014, 2014 © Thomas Struth

Acclaimed German artist Thomas Struth’s pivotal series on the Middle East is on view in Gallery 1 in its entirety for the first time. The series of eighteen monumental photographs of Israel and Palestine taken between 2009 and 2014 depicts places and people throughout the region, encompassing street views, sites of technological research, and family portraits. Photographing within the political climates of East Jerusalem, Tel Aviv, the Golan Heights, Ramallah, Al-Khalil/Hebron, Nazareth, and Negev, Struth conveys vivid and emotional narratives of place.

Aspen Art Museum, Aspen


Thomas Struth

Nature & Politics (solo show)
Saint Louis Art Museum, Saint Louis
5 November 2017 - 21 January 2018

Thomas Struth, Tokamak Asdex Upgrade Interior 2, Max Planck IPP, Garching, 2009 © Thomas Struth
Thomas Struth, Tokamak Asdex Upgrade Interior 2, Max Planck IPP, Garching, 2009 © Thomas Struth

Thomas Struth: Nature & Politics is a photographic exploration of cutting-edge industrial and scientific research spaces. In over 35 works created within the past decade, the celebrated German artist Thomas Struth ambitiously takes technology and engineering as his overarching subject. With vivid color and monumental scale, he investigates the fascinating complexities of sites where knowledge, ambition, and imagination are advanced.

The featured works are drawn from the artist's visits to Europe, America, Asia, and the Middle East. Struth takes viewers into spaces normally kept from public view, such as aeronautical centers, robotics laboratories, and nuclear fusion facilities, examining humanity's attempts to understand and harness forces of nature, often at great cost of resources.

Nature & Politics intersperses Struth's technological subjects with other recent work, including images of the fantasy environments of Disneyland and the war-torn landscapes of the West Bank. This poses intriguing questions about the relationship between nature and humanity in our increasingly fabricated world, as well as drawing attention to the financial and political ambition that underscores the massive technological endeavors of our present day.

Saint Louis Art Museum, Saint Louis


Günther Förg

Out of Place (group show)
The Third Mediterranean Biennale, Sakhnin Valley
30 June - 16 December 2017

The Third Mediterranean Biennale offers an alternative platform which emphasizes the local processes being created in the region and enhances their cultural impact by means of art directed toward the community, art that bridges cultures, emerges from the museum walls, integrates into the city and turns the city into a museum.

The Mediterranean Biennale will serve as a venue for raising issues such as: How to restore art to the public; what is the relevance of art in today's consumer society; and art as a bridge between cultures.

The Mediterranean Biennale aims to bring a new approach to the region by means of artistic activities in the hope of creating the basis for a dialogue between people and coexistence between communities living in conflict as well as promoting education for peace, tolerance and non-violence through cooperation based on equality and reciprocity. The Biennale aims to restore mutual trust, to bridge gaps in the perception of the other and encourage diversity and coexistence in order to create an environment where individuals and groups of diverse religion and ethnicity share common values and coexist peacefully.

This Mediterranean Biennale becomes a regional biennale held in the Sakhnin Valley, in Israel in the communities of Misgav, Sakhnin, Arraba and Deir Hanna, and creating a course of various places, people and congregations that are exposed to the general public by means of art while instigating a platform for dialogue. Widening the Biennale creates a channel for cooperation between communities living in the area under the concept of a face-to-face rather than a back-to-back situation.

The Mediterranean Biennale will take place under the title of: Out of Place. The exhibition Out of Place relates to issues of identity, place, time and individualty in an era of global culture while critically addressing the topics of place, local identity and culture in view of the changes occurring today. The exhibition Out of Place aims to establish a dialogue between people and create a place where everyone can have their say in a discussion where there are no winners or losers. The exhibition reminds us that we are not independent of the manner in which the present refugee crisis is developing: we are part of the crisis but we are also part of its possible solution. The nature of the exhibition Out of Place can be one that highlights disillusionment and hopelessness, or on the contrary one that opens up possibilities of acting against current incitement by means of solidarity, common ideals and sense of community.

The Mediterranean Biennale


Günther Förg

Light Sensitive 2: Photography from the Schaufler Collection (group show)
Schauwerk, Sindelfingen
15 April - 2 September 2018

The museum will link this show to the LICHTEMPFINDLICH exhibition of 2011, which had presented the large collection of this medium to the public for the first time in the impressive space of the former high rack warehouse in the SCHAUWERK. This lofty storage space inspires with its revolving ramp, which extends over 15 metres upward: an exhibition place par excellence for photography, with spectacular visual axes for viewing from near and afar.

Along with major works from the first exhibition, LICHTEMPFINDLICH 2 will also display photographs that previously haven’t been shown, so that a more comprehensive representation of the contemporary photography collection can occur. The main interest of the collectors Peter Schaufler and Christiane Schaufler-Münch is not directed toward the medium and its history per se, but leans more toward the fascination that arises from certain motifs, pictorial inventions, and their formal transformations.

The classic genres of photography—nude, portrait, landscape, architecture, or industry—are mirrored in the works, but are often citations or stages of conceptual processes. Most of the protagonists within the context of this collection have left behind the conventional framework of photography.

Schauwerk, Sindelfingen


Thomas Struth

Artist talk with Ulrich Wilmes
Haus der Kunst, Munich
14 December 2017, 7 pm

For more than 30 years, Thomas Struth has pursued the concept of exploring the medium of photography with a high degree of reflection. In conversation with Ulrich Wilmes, chief curator at Haus der Kunst, the artist talks about his methodological strategies concerning his choice of subjects and individual image making processes; the tension between objective conception and aesthetic perception; and the confrontation with the increasingly precarious relationship between the natural environment and mechanized living spaces. Aspects of Struth’s pronounced social interests and his engagement with current developments in research under the dictates of globalization will also be discussed.

Haus der Kunst, Munich


Thomas Struth

Figure Ground (solo show)
Haus der Kunst, Munich
5 May 2017 - 7 January 2018

Thomas Struth, Schaltwerk 1, Berlin 2016 © Thomas Struth
Thomas Struth, Schaltwerk 1, Berlin 2016 © Thomas Struth

This exhibition of the renowned German photographer Thomas Struth (born in 1954), presents a comprehensive survey of his genre-defining oeuvre. Covering four decades of work and every phase of his career, the exhibition focuses on Struth's social interests, which represent the important forces of his influential artistic development. Comprised of more than 120 works, this exhibition is the largest survey of his artistic career to date. It brings together never-before-shown early works and collected research material drawn from his archive; these, elucidate the far-reaching and longstanding ideas behind the works and demonstrate the process of his artistic translation up to the perfection of the image.

The survey links these early ideas to well-known work groups such as "Straßen" (Streets), "Unbewusste Orte" (Unconscious Places), "Portraits", "Museumsbilder" (Museum Pictures), "Paradise", and "Audiences". These are placed in dialogue with the slide projection "Nachtprojekt" produced for Skulptur Projekte Münster in 1987, as well as video portraits and other video projections, the recent photographic series from "Nature & Politics", and site-specific works such as "Löwenzahnzimmer" (Dandelion Room), the landscape and flower photographs created for hospital rooms in Winterthur, Switzerland. This interplay highlights the artist’s ability to combine analysis and pictorial invention in multifaceted works and techniques that result in overarching and powerful photographic images.

The exhibition is curated by Thomas Weski and organized by Haus der Kunst.

Haus der Kunst, Munich