BEATRIZ MILHAZES

Beatriz Milhazes: 100 Sóis

Salvador: Museu de Arte da Bahia
29 January – 26 April 2026

Installation Views


Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

Photo: Eduardo Ortega, courtesy of the artist and Fortes D’Aloia & Gabriel, São Paulo/Rio de Janeiro

here

Beatriz Milhazes’ work is the subject of a major solo exhibition at Museu de Arte da Bahia, Salvador, curated by critic and art historian Tiago Mesquita. Presenting an installation alongside paintings and collages spanning thirty years, the exhibition highlights the breadth of Milhazes’ formal repertoire and reveals a dialogue with modern art, constructivism, design, Rio de Janeiro’s carnival culture, allegory, and baroque decoration.