ART BASEL MIAMI BEACH
Booth G114 – 8 December 2024
4 – 8 December 2024
Galerie Max Hetzler is delighted to present works by Glenn Brown, André Butzer, Carroll Dunham, Barry Flanagan, Walton Ford, Günther Förg, Katharina Grosse, KAWS, Jake Longstreth, Beatriz Milhazes, Albert Oehlen, Adam Pendleton, Richard Prince, Bridget Riley, Rinus Van de Velde, Edmund de Waal and Grace Weaver.
Glenn Brown
Frequency 3, 2023
acrylic and Indian ink on polyester film over cardboard, in frame
63 x 47 cm.; 24 3/4 x 18 1/2 in.
88.4 x 72 x 4.7 cm.; 34 3/4 x 28 3/8 x 1 7/8 in. (framed)
here
‘Brown’s marks are a testament to the capacity of the drawn line to create life. Quick or slow, thick or thin, bold or soft, each mark exhales.’
Jeff Fleming, 2016
Glenn Brown
Frequency 4, 2023
acrylic and Indian ink on polyester film over cardboard, in frame
63 x 47 cm.; 24 3/4 x 18 1/2 in.
88.4 x 72 x 4.7 cm.; 34 3/4 x 28 3/8 x 1 7/8 in. (framed)
here
Carroll Dunham
Open Studio (1), 2024
urethane, acrylic and graphite on linen
121.9 x 101.6 cm.; 48 x 40 in.
128.43 x 108 x 3 cm.; 50 1/2 x 42 1/2 x 1 1/4 in. (framed)
here
‘I wouldn’t even know what it would mean to make painting without drawing… I have always drawn a lot, I have always used drawing as a laboratory to think about other things.’
Carroll Dunham, 2022
Walton Ford
Sultan Selim’s Gilded Monkeys, 2024
watercolour, gouache and ink on paper
106.7 x 81.3 cm.; 42 x 32 in.
120 x 94.6 x 5.7 cm.; 47 1/4 x 37 1/4 x 2 1/4 in. (framed)
here
‘I’m interested in animals as they relate to human culture. That can mean in folklore, it can mean literary sources. These birds and animals live in my imagination, and in my studio.’
Walton Ford, 2024
Günther Förg
Untitled, 1989
acrylic on wood, in 6 parts, in artist's frames
overall dimensions variable
each: 93 x 53 x 4.5 cm.; 36 5/8 x 20 7/8 x 1 3/4 in.
here
KAWS
UNTITLED, 2024
acrylic on canvas
208.3 x 165.1 cm.; 82 x 65 in.
211.6 x 168.4 x 6.7 cm.; 83 3/8 x 66 3/8 x 2 5/8 in. (framed)
here
One of the things I like about [the characters] – that keeps the creative process interesting for me – is that there is no narrative. There's no storyline that I’m trying to bring forward, I just see them as select forms.’
KAWS, 2023
Beatriz Milhazes
Douradinha em cinza e marrom, 2016
acrylic on linen
200 x 240 cm.; 78 3/4 x 94 1/2 in.
here
‘My figuration comes from various external sources, like Indigenous art and Carnival traditions, but also from graphic art. My flowers, my relationship with nature, stem from the graphic universe, from illustrations of fruits and plants and decorative art.’
Beatriz Milhazes, 2022
Albert Oehlen
Untitled, 2024
oil on canvas
190 x 160 cm.; 74 3/4 x 63 in.
193.2 x 163.2 x 5.5 cm.; 76 x 64 1/4 x 2 1/8 in. (framed)
here
Richard Prince
Super Group, 2017
inkjet, collage, oil stick and acrylic on canvas
189.2 x 141 cm.; 74 1/2 x 55 1/2 in.
here
‘Supergroup is what I needed. And sometimes what you need is all you need.
I’d been working with sleeves on and off for four years, they weren’t right, they weren’t finished. They didn’t have extra extra. They had a verse and bridge but they didn’t have a hook.
Super Group became the hook. Sum, total, whole.’
Richard Prince, 2017
Rinus Van de Velde
how you descend from your mountain, ..., 2024
oil pastel on paper
161 x 112 cm.; 63 3/8 x 44 1/8 in.
180.6 x 131.8 x 5 cm.; 71 1/8 x 51 7/8 x 2 in. (framed)
here
‘For me, a vessel is the simplest image I have got for a held breath. That’s what my vessels are. They contain a series of movements that I have made with the most basic of all materials in the world, which is the earth. And by doing that I am just holding a small part of the world and containing it.’
Edmund de Waal, 2023
Works
Glenn Brown
Frequency 3, 2023
acrylic and Indian ink on polyester film over cardboard, in frame
63 x 47 cm.; 24 3/4 x 18 1/2 in.
88.4 x 72 x 4.7 cm.; 34 3/4 x 28 3/8 x 1 7/8 in. (framed)
Glenn Brown
Frequency 4, 2023
acrylic and Indian ink on polyester film over cardboard, in frame
63 x 47 cm.; 24 3/4 x 18 1/2 in.
88.4 x 72 x 4.7 cm.; 34 3/4 x 28 3/8 x 1 7/8 in. (framed)
Carroll Dunham
Open Studio (1), 2024
urethane, acrylic and graphite on linen
121.9 x 101.6 cm.; 48 x 40 in.
128.43 x 108 x 3 cm.; 50 1/2 x 42 1/2 x 1 1/4 in. (framed)
Barry Flanagan
Empire State with Bowler, Mirrored, 1997
bronze, in 2 parts
part 1: 230 x 45 x 44 cm.; 90 1/2 x 17 3/4 x 17 1/4 in.
part 2: 230 x 44 x 51 cm.; 90 1/2 x 17 1/4 x 20 1/8 in.
edition 5 of 8, plus 2 AP
here
Walton Ford
Sultan Selim’s Gilded Monkeys, 2024
watercolour, gouache and ink on paper
106.7 x 81.3 cm.; 42 x 32 in.
120 x 94.6 x 5.7 cm.; 47 1/4 x 37 1/4 x 2 1/4 in. (framed)
Günther Förg
Untitled, 1989
acrylic on wood, in 6 parts, in artist's frames
overall dimensions variable
each: 93 x 53 x 4.5 cm.; 36 5/8 x 20 7/8 x 1 3/4 in.
KAWS
UNTITLED, 2024
acrylic on canvas
208.3 x 165.1 cm.; 82 x 65 in.
211.6 x 168.4 x 6.7 cm.; 83 3/8 x 66 3/8 x 2 5/8 in. (framed)
Beatriz Milhazes
Douradinha em cinza e marrom, 2016
acrylic on linen
200 x 240 cm.; 78 3/4 x 94 1/2 in.
here
Albert Oehlen
Untitled, 2024
oil on canvas
190 x 160 cm.; 74 3/4 x 63 in.
193.2 x 163.2 x 5.5 cm.; 76 x 64 1/4 x 2 1/8 in. (framed)
Richard Prince
Super Group, 2017
inkjet, collage, oil stick and acrylic on canvas
189.2 x 141 cm.; 74 1/2 x 55 1/2 in.
Rinus Van de Velde
how you descend from your mountain, ..., 2024
oil pastel on paper
161 x 112 cm.; 63 3/8 x 44 1/8 in.
180.6 x 131.8 x 5 cm.; 71 1/8 x 51 7/8 x 2 in. (framed)
Edmund de Waal
so here I stand, 2024
porcelain, silver, aluminium and glass
38 x 28 x 10 cm.; 15 x 11 x 4 in.
here