Raymond Hains, Ernesto Neto et al.
Vive Arte Viva, 57th Venice Biennale (group show)
Arsenale and Central Pavilion, Giardini, Venice
13 May - 26 November 2017
The Exhibition offers a route that unfolds over the course of nine chapters or families of artists, beginning with two introductory realms in the Central Pavilion, followed by another seven across the Arsenale through the Giardino delle Vergini. 120 are the invited artists from 51 countries; 103 of these are participating for the first time.
«La Biennale must present itself as a place whose method—and almost raison d’être—is dedicated to an open dialogue between artists, and between artists and the public.»
Biennale di Venezia
Les flâneurs. Collection Frac Normandie Caen (group show)
À 2angles, Flers
19 May - 30 June 2018
TISSAGE TRESSAGE - quand la sculpture défile (group show)
Villa Datris, L'Isle-sur-la-Sorgue
19 May - 1 November 2018
GaiaMotherTree (monumental installation)
Fondation Beyeler in the Zurich Main station, Zurich
30 June - 27 July 2018
The monumental installation GaiaMotherTree by the Brazilian artist Ernesto Neto (b. 1964) is a spectacular public art project presented by the Fondation Beyeler in Zurich Main station. The walk-in sculpture, made of brightly colored hand-knotted cotton strips, has an organic, treelike appearance. It functions as a meeting place and a venue for interaction and meditation, and is accompanied by a varied programme of public events.
In June and July 2018, the Fondation Beyeler will be showing an installation by the Brazilian artist Ernesto Neto (b. 1964 in Rio de Janeiro) in Zurich Main station. The monumental work GaiaMotherTree, a sculpture made of brightly colored hand-knotted cotton strips, resembles a tall tree, extending right up to the ceiling of the station concourse, which is twenty meters high. It is a walk-in structure that functions as a meeting place and a venue for interaction and meditation. A varied program of events for adults and children, with music, workshops, guided tours and talks, will take place inside the installation.
Ernesto Neto is one of Latin America's most important contemporary artists. His work, comprising sculptures, installations and multimedia projects, has won worldwide recognition, with several presentations at the Venice Biennale and exhibitions in the world's leading museums. It has been collected by, among others, the Museum of Modern Art and the Solomon R. Guggenheim Museum, New York; the Tate Modern, London; the Centre Pompidou, Paris; and the Hara Museum, Tokyo.
Neto's ideas have been influenced by the Brazilian Neo-Concrete movement of the 1960s and also by Minimal and Conceptual Art, and Arte Povera. Spirituality, humanism, and ecology are among his principal concerns. His work since the 1990s has been characterized by the use of unusual materials and techniques. His sculptures and installations often feature biomorphic forms and organic materials, with transparency and sensuality playing a major role. Viewers can touch the works and walk through them or set them in motion; in many cases, they also appeal to the sense of smell. The visitor is invited to concentrate on his or her own perception and interact with the work and its environment.
In recent years, Neto has turned his attention to a new series of works, which he is realizing in cooperation with the Huni Kuin, an indigenous community living in the Amazon region near the Brazilian border with Peru. The culture and customs of the Huni Kuin, their knowledge and craft skills, their aesthetic sense, their values, their world view, and their spiritual connection with nature, have transformed Neto's conception of art and become integral elements of his artistic practice.
GaiaMotherTree was made entirely by hand. Strips of cotton were colored with natural dyes, and then knotted together with a finger-crocheting technique to form a giant transparent structure. The upper part of the work, shaped like the crown of a tree, will cover the ceiling of the station concourse. At the base of the tree there is a large space where visitors can linger and rest on seats arranged in a circle. Drop-shaped elements hanging from the branches are filled with aromatic spices and dried leaves.
Fondation Beyeler, Riehen
Art into Life! Collector Wolfgang Hahn and the 60s (group show)
10 November 2017 - 24 June 2018
In the 1960s, a new avantgarde movement emerged in the Rhineland. It was to break down the parameters of artistic disciplines, with an new internationally networked generation of artists coming from nouveau réalisme, Fluxus, and new music. One of the first collectors of their works was Wolfgang Hahn, chief restorer at the Wallraf Richartz Museum in Cologne. In 1978 his collection of around 400 works came to Vienna, where it is now one of mumok’s key collections. In the exhibition Art into Life! Collector Wolfgang Hahn and the 60s, mumok now presents the major works from the Hahn Collection.
The slogan “art into life” was taken literally in the 1960s. The aim was to overcome an obsolete tradition in painting, using everyday objects, texts, and musical scores instead of creating classical painting and sculpture. All the works shown in this exhibition, beginning with Door by Joseph Beuys and ending with Wolf Vostell‘s action objects, are indebted to this expanded concept of art. Happenings, actions, and performances of new music are well represented, with works by Allan Kaprow, Nam June Paik, and John Cage. Prominent works of Pop art by George Segal, Claes Oldenburg, and Tom Wesselman enter into dialogue with material images from nouveau réalisme, which is a focus of the Hahn Collection, including works by Daniel Spoerri, Jean Tinguely, and Niki de Saint Phalle.