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Ai Weiwei

Ai Weiwei: Maybe, Maybe Not (solo show)
The Israel Museum, Jerusalem
2 June - 28 October 2017

Courtesy the artist
Courtesy the artist

On display for the first time in Israel, works by Chinese artist Ai Weiwei, one of the most influential and esteemed members of the international contemporary art scene. Weiwei artworks combine sculpture, photography, video, and large-scale installations, such as his astounding 2010 installation which covered the entire floor of the Tate Museum in London with hundreds of tons of sunflower seeds, each one sculpted from porcelain and painted by hand. This work addresses the accelerated production processes which are eradicating both traditional Chinese handcrafting and lifestyles, and is one of the works on display here. This exhibition – spread out over a number of galleries – features powerful and visually captivating works exploring issues facing contemporary culture. Weiwei was imprisoned without trial in his native China, and his movements were restricted by the government due to his political activism and outspoken stance on human rights and freedom of expression, messages which are central themes in his art.

The Israel Museum, Jerusalem


Additional:

Ai Weiwei

LOOK! LISTEN! Art is in the churches (group show)
Hauptkirche St. Katharinen, Hamburg
27 May - 22 July 2018

Art and the church have a long mutual past. In many areas, the history of European art illustrates the Christian accounts of God and Man. We find it in the windows of church interiors, on the walls, the altars and on the pulpits.

However, in the modern era, art and the church often go separate ways.

In this Exhibition Series, contemporary art and the church communicate with each other: The artwork should be commentary and impulse as well as complement to that which is otherwise only to be seen in the individual church. Thereby, we are consciously creating a connection to the designated European Year of Cultural Heritage 2018.

LOOK – We capture the world in pictures. In the Exhibition Series (usually) new and old art meet in sacred rooms. The works desire to be seen in the context of the church and vice versa: both develop a new impact through the other. The harmony of art and sacred rooms invite a closer and more exact view of the Old and the New.

LISTEN – Whoever is addressed by a work of art, listens within. What is the effect of what I see within me? At the same time, we listen in the churches to what God can say to us. Thus, these churches become places of reflection and meditation – about oneself and art in the light of new and old “anchor points” of attentiveness. Allow yourself to be affected and beguiled into contemplation!

Kirche Hamburg


Ai Weiwei

Fan-Tan (solo show)
Mucem, Marseille
20 June – 12 November 2018

The Mucem is hosting Chinese artist Ai Weiwei, one of the major actors on the international art scene. The work of the photographer, architect, sculptor, performer, film-maker and social network activist combines Chinese thought with contemporary art, namely drawing his inspiration from Marcel Duchamp and Andy Warhol. His creations are able to challenge our societies with such force through his transformation of everyday objects into works of art.

Ai Weiwei is the son of Ai Qing (1910-1996), the famous Chinese poet who discovered the West in 1929 on disembarking at Marseille, on the docks of La Joliette, precisely the spot where the Mucem is located today.
This connection motivated the artist to take us on a voyage through time and his art, which he links back to his paternal lineage. Through the new resonances that emerge in this exhibition, we are able to view Ai Weiwei’s work in a new light.

His creations, placed in parallel with the collections at the Mucem, invite us to question opposing notions such as East and West, original and copy, art and craft, destruction and conservation. But above all, the artwork of Ai Weiwei also challenges the relevance of our own interpretations.

Mucem, Marseille


Ai Weiwei

Ai Weiwei (solo show)
Various locations, The Contemporary Austin, Austin
3 June 2017 - ongoing

Ai Weiwei, installation view, 2017. Courtesy the artist and the Contemporary Austin.
Ai Weiwei, installation view, 2017. Courtesy the artist and the Contemporary Austin.

The Contemporary Austin and Waller Creek Conservancy announce an upcoming two-part outdoor exhibition of large-scale installations by Chinese artist and political activist Ai Weiwei, to go on view to the public beginning June 3, 2017, as part of The Contemporary Austin’s partnership with Waller Creek Conservancy and its Museum Without Walls program. The project is made possible by the Edward and Betty Marcus Foundation and represents the second collaboration between The Contemporary Austin and Waller Creek Conservancy.

The works include the striking installation Forever Bicycles, 2014, installed by The Contemporary Austin at the Waller Delta (74 Trinity Street, Austin, Texas), and Iron Tree Trunk, 2015, on view at The Contemporary Austin’s Betty and Edward Marcus Sculpture Park at Laguna Gloria (3809 West 35th Street, Austin, Texas). The public opening for both works by Ai Weiwei will be celebrated with free family-friendly art activities and refreshments on Saturday, June 3 from 10 a.m. to noon at the sculpture Forever Bicycles at the Waller Delta. Both works will remain on view as long-term loans.

The Contemporary Austin, Austin