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Rineke Dijkstra

Doubles, Dobros, Pliegues, Pares, Twins, Mitades (group show)
The Warehouse, Dallas
10 July - 29 December 2017

In the short story William Wilson, Edgar Allan Poe presents a sinister plot: the tale of a character who, from his childhood, experiences the apparition of a figure who in everything resembles and haunts him with similitude and repetition – until he turns out to be himself. It is the doppelgänger, or double, a recurring figure in literature (from Dostoyevsky to Borges and Wilde) and in all the arts. The very act of representing – oneself or the other – can be understood as a gesture of creation of parallel realities, thus doubles to those in which we live. The exhibition DOUBLES, DOBROS, PLIEGUES, PARES, TWINS, MITADES takes this literary figure as a starting point to create an inventory of situations in which otherness and duplication/repetition are manifested in works from The Rachofsky Collection, The Rose Collection, The Collection of Marguerite Steed Hoffman, and the Dallas Museum of Art, among others, assuming diverse configurations: from forms of representation that occur through replicas, shadowing, and mirroring to logical-formal exercises that are expressed by the use of halves and doubles.

The Warehouse, Dallas


Additional:

Rineke Dijkstra

Ecstasy (group show)
Kunstmuseum Stuttgart, Stuttgart
29 September 2018 - 24 February 2019

Rineke Dijkstra, video still, The Krazyhouse (Megan, Simon, Nicky, Philip, Dee), Liverpool, UK, 2009, 2009 © Rineke Dijkstra
Rineke Dijkstra, video still, The Krazyhouse (Megan, Simon, Nicky, Philip, Dee), Liverpool, UK, 2009, 2009 © Rineke Dijkstra

Ecstasy is one of the oldest and one of the most astounding phenomena of European and non-European cultures. Originally forged in the context of religion and ritual, the transcendental experience of ecstasy was first conceptualized in antiquity. It has been an integral part of Western social theories ever since, even as its definition and social significance have been continually modified and expanded. In indigenous cultural spaces, ecstasy generally bears positive connotations and is experienced within the context of ritual acts, but it was and is often perceived as threatening in societies dominated by industrialization, capitalism, and globalization. Here ecstasy means loss of control, and it harbors the danger of an individual or an entire collective deviating from the norm. Exceptions are transcendental experiences within religious contexts or profane ecstasies, as may be observed during sporting events, concerts, or politically motivated activities.
In its cultural significance and complexity, ecstasy also entered the visual arts and engaged in extraordinary alliances with the related disciplines of music and dance.

Beginning in the fall of 2018, the Kunstmuseum Stuttgart will, for the first time, trace these and other connections as it dedicates itself to the phenomenon of ecstasy in a large thematic exhibition. Drawing from paradigmatic examples from antiquity to the present, the exhibition illuminates the various spiritual, political, psychological, social, sexual, and aesthetic implications of euphoric and intoxicated states between asceticism and excess.

In approximately ten thematic rooms, the visitor will become familiar with the various faces of
ecstasy and with the shifting social significance of mind-altering states as it changed over the
centuries. In so doing, it will also consider how different cultural spheres handle the phenomenon of ecstasy. With art at its foundation, the exhibition will introduce the viewer to the various ways that artists have approached ecstatic states—from pictorial representations to video and installation works to kinesthetic experiences. The visitor may therefore not only comprehend but also experience the relevance and historical development of ecstasy. Music plays a central role here, as it unifies transcendental experience in all cultures. Rhythmic sounds, repetitive movements, and visual stimuli prepare the groundwork for reaching a state of »being beside oneself.«

Kunstmuseum Stuttgart, Stuttgart


Rineke Dijkstra, Jeff Koons et al.

MoMA at NGV (group show)
National Gallery of Victoria, Melbourne
9 June – 7 October 2018

Rineke Dijkstra, Almerisa, March 14, 1994 , 1994 © Rineke Dijkstra
Rineke Dijkstra, Almerisa, March 14, 1994 , 1994 © Rineke Dijkstra

The National Gallery of Victoria, in partnership with The Museum of Modern Art, New York, will present MoMA at NGV as the Melbourne Winter Masterpieces exhibition in 2018. MoMA at NGV will provide a unique survey of the Museum’s iconic collection. Consisting of approximately 200 key works, arranged chronologically into eight thematic sections, the exhibition will trace the development of art and design from late-nineteenth-century urban and industrial transformation, through to the digital and global present.

The Museum of Modern Art (MoMA) is a renowned institution dedicated to championing innovative modern and contemporary art. The Museum opened in Manhattan in 1929, with the vision to become ‘the greatest modern art museum in the world’. This is reflected in its interdisciplinary collection of almost 200,000 works by over 10,000 artists, shared between six curatorial departments: Architecture and Design, Drawings and Prints, Film, Media and Performance Art, Painting and Sculpture, and Photography.

National Gallery of Victoria, Melbourne


Rineke Dijkstra

Collection Centre Pompidou (group show)
Centre Pompidou, Malaga, from 28 March 2015 - ongoing

Rineke Dijkstra, I See a Woman Crying ( Weeping Woman ), 2009
Rineke Dijkstra, I See a Woman Crying ( Weeping Woman ), 2009

The world famous gallery Centre Pompidou is coming to Malaga. Without doubt the Pompidou art center in Paris is one of the greatest homes of twentieth century art. In line with the arresting appearance of the Pompidou in Paris the Malaga collection will be housed in the large glass cube, built with a cultural purpose in mind and which is situated at the corner which joins Muelle Uno and Muelle Dos of Malaga’s newly renovated port. The new Malaga Pop-Up museum will house a fine selection of its French mother. The museum that is at time of writing under full construction is expected to open on March 28th, just before the touristic season takes off.


Centre Pompidou, Malaga