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Ai Weiwei

Fragile State (group show)
PinchukArtCentre, Kiev
17 June 2017 - 7 January 2018

Ai Weiwei, Dropping a Han Dynasty Urn, 2016 © Studio Ai Weiwei
Ai Weiwei, Dropping a Han Dynasty Urn, 2016 © Studio Ai Weiwei

The PinchukArtCentre is proud to present “Fragile State” - a major international group exhibition with 10 leading artists including Marina Abramovic, Jan Fabre, Urs Fischer, Douglas Gordon, Damien Hirst, Carlos Motta, Oscar Murillo, Santiago Sierra, Barthelemy Toguo and Ai Weiwei.

A Fragile State often reveals a delicate moment of vulnerability and might be an accurate description of the world around us. The notion of Fragile State reflects upon the fragile state of the world order, or in a more abstract sense it refers to ideological, cultural and social vulnerabilities. But it is equally a notion that can be understood in a deeply personal sense, the fragility of body and mind.

This exhibition meanders systematically in between those different definitions of the Fragile State. It provokes conversations linking the fragility of our body and mind, and the fragility of ideologies and historical understandings. It draws parallels between the fragility of youth and that of a country at war conflict or the fragility of life and that of a State at risk.

The exhibition starts with a reflection on culture, civilization and history, embodied in Ai Weiwei’s LEGO version of Dropping a Han Dynasty Urn (2016). The work is a recent translation of the early 1995 images where Ai Weiwei photographed himself dropping and breaking a 2000-year-old ceremonial Urn from the Han Dynasty (considered a golden Age in Chinese history). Responding to public outcry, he famously replied: ”General Mao used to tell us that we can only build a new world if we destroy the old one”.

PinchukArtCentre, Kiev


Additional:

Ai Weiwei

LOOK! LISTEN! Art is in the churches (group show)
Hauptkirche St. Katharinen, Hamburg
27 May - 22 July 2018

Art and the church have a long mutual past. In many areas, the history of European art illustrates the Christian accounts of God and Man. We find it in the windows of church interiors, on the walls, the altars and on the pulpits.

However, in the modern era, art and the church often go separate ways.

In this Exhibition Series, contemporary art and the church communicate with each other: The artwork should be commentary and impulse as well as complement to that which is otherwise only to be seen in the individual church. Thereby, we are consciously creating a connection to the designated European Year of Cultural Heritage 2018.

LOOK – We capture the world in pictures. In the Exhibition Series (usually) new and old art meet in sacred rooms. The works desire to be seen in the context of the church and vice versa: both develop a new impact through the other. The harmony of art and sacred rooms invite a closer and more exact view of the Old and the New.

LISTEN – Whoever is addressed by a work of art, listens within. What is the effect of what I see within me? At the same time, we listen in the churches to what God can say to us. Thus, these churches become places of reflection and meditation – about oneself and art in the light of new and old “anchor points” of attentiveness. Allow yourself to be affected and beguiled into contemplation!

Kirche Hamburg


Ai Weiwei

Fan-Tan (solo show)
Mucem, Marseille
20 June – 12 November 2018

The Mucem is hosting Chinese artist Ai Weiwei, one of the major actors on the international art scene. The work of the photographer, architect, sculptor, performer, film-maker and social network activist combines Chinese thought with contemporary art, namely drawing his inspiration from Marcel Duchamp and Andy Warhol. His creations are able to challenge our societies with such force through his transformation of everyday objects into works of art.

Ai Weiwei is the son of Ai Qing (1910-1996), the famous Chinese poet who discovered the West in 1929 on disembarking at Marseille, on the docks of La Joliette, precisely the spot where the Mucem is located today.
This connection motivated the artist to take us on a voyage through time and his art, which he links back to his paternal lineage. Through the new resonances that emerge in this exhibition, we are able to view Ai Weiwei’s work in a new light.

His creations, placed in parallel with the collections at the Mucem, invite us to question opposing notions such as East and West, original and copy, art and craft, destruction and conservation. But above all, the artwork of Ai Weiwei also challenges the relevance of our own interpretations.

Mucem, Marseille


Ai Weiwei

Ai Weiwei (solo show)
Various locations, The Contemporary Austin, Austin
3 June 2017 - ongoing

Ai Weiwei, installation view, 2017. Courtesy the artist and the Contemporary Austin.
Ai Weiwei, installation view, 2017. Courtesy the artist and the Contemporary Austin.

The Contemporary Austin and Waller Creek Conservancy announce an upcoming two-part outdoor exhibition of large-scale installations by Chinese artist and political activist Ai Weiwei, to go on view to the public beginning June 3, 2017, as part of The Contemporary Austin’s partnership with Waller Creek Conservancy and its Museum Without Walls program. The project is made possible by the Edward and Betty Marcus Foundation and represents the second collaboration between The Contemporary Austin and Waller Creek Conservancy.

The works include the striking installation Forever Bicycles, 2014, installed by The Contemporary Austin at the Waller Delta (74 Trinity Street, Austin, Texas), and Iron Tree Trunk, 2015, on view at The Contemporary Austin’s Betty and Edward Marcus Sculpture Park at Laguna Gloria (3809 West 35th Street, Austin, Texas). The public opening for both works by Ai Weiwei will be celebrated with free family-friendly art activities and refreshments on Saturday, June 3 from 10 a.m. to noon at the sculpture Forever Bicycles at the Waller Delta. Both works will remain on view as long-term loans.

The Contemporary Austin, Austin