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Rineke Dijkstra

The Beauty of Lines. Masterpieces from the Sondra Gilman and Celso Gonzalez-Falla collection (group show)
Musée de l'Elysée, Lausanne
31 January - 6 May 2018

The exhibition presents a selection of masterpieces from the history of photography, part of the collection of Sondra Gilman and Celso Gonzalez-Falla. Based in New York, it includes over 1500 original prints by some of the greatest photographers of the 20th and 21st centuries. Through visual confrontations, the visitor is invited to experience the power of the photographic line through these sublime works. The photographs by Bérénice Abbott, Eugène Atget, Robert Adams, Walker Evans, Vik Muniz, Man Ray and Lee Friedlander, among others, thus resonate, beyond their historical temporality and geographic considerations, by their formal correspondences.

Throughout history, photographers have always oscillated between two extremes: the mimetic illusion of reality and the enhancement of the esthetic qualities of the image. Whether it be “instantaneous lines”, according to the expression of Henri Cartier-Bresson, rational lines inspired from New Topographics, or the diversity of the curved lines of the human body, the line structures and sometimes reinvents the real – to the point of abstraction.

In the case of photography, spectators, even the most discriminating, often first observe the world that they are presented with. They scrutinize the face or the landscape, they marvel at the details, the fashionable clothes, the expressions on the children’s faces. In other words, they can forget that they are actually looking at a piece of paper, as flat as a page in a book or a drawing. Fascinated by the mimetic illusion, they might not even see the lines – straight, curved, oblique – that actually form the basis of the photographic composition.

Musée de l'Elysée, Lausanne



Additional:

Rineke Dijkstra

Rineke Dijkstra (solo show)
De Pont Museum, Tilburg
10 March - 22 July 2018

Rineke Dijkstra, Vondelpark, Amsterdam, June 19, 2005, 2005 © Rineke Dijkstra
Rineke Dijkstra, Vondelpark, Amsterdam, June 19, 2005, 2005 © Rineke Dijkstra

Rineke Dijkstra (Sittart 1959) became internationally known with her "Beach Portraits" during the 1990s. With this moving series of photographs, she established her reputation as a maker of portraits that express the identity, vulnerability and dignity of the subjects. Last year she was granted the Hasselblad Award, a prestigious photography prize.

Dijkstra prefers to work in series, which allow the differences and similarities among the portrait subjects and their cultural backgrounds to emerge in a subtle manner. The time-consuming process of working with a technical camera determines her approach. She creates the conditions and plays with the light, which appears to be natural and yet has a slightly different appearance. She chooses her figures carefully, but chance plays a significant role as well. The sharply focused photographs give the viewer a sense of being face to face with the portrait subjects. At the same time, the serial character of the work also makes the subjects lose a certain degree of individuality. As a viewer, one mainly identifies with the universal human feelings (e.g. shyness, a lack of ease) displayed by them.
The theme of transformation keeps on surfacing in various series, such as the one in which a friendly-looking French boy evolves, in just a few years, into a stalwart soldier. But is this real, or is he playing a role?

Such questions interest Dijkstra. Despite the faithfully rendered appearance of the photograph, the portrait subject ultimately remains unfathomable and elusive. Who is hiding behind a mask, and who is showing his or her true face? This dilemma is subtly conveyed in the video of Marianna, a ten-year-old Russian ballerina who practices her dance steps in a pink studio. The cloyingly sweet surroundings and the spirited music stand in stark contrast to the stern voice of a teacher who is giving instructions off screen. With each new attempt to execute the steps perfectly, Marianna smiles as she has been conditioned to do, but gradually a certain fatigue and defiance nonetheless begin to emerge.

De Pont Museum, Tilburg


Rineke Dijkstra, Jeff Koons et al.

MoMA at NGV (group show)
National Gallery of Victoria, Melbourne
9 June – 7 October 2018

Rineke Dijkstra, Almerisa, March 14, 1994 , 1994 © Rineke Dijkstra
Rineke Dijkstra, Almerisa, March 14, 1994 , 1994 © Rineke Dijkstra

The National Gallery of Victoria, in partnership with The Museum of Modern Art, New York, will present MoMA at NGV as the Melbourne Winter Masterpieces exhibition in 2018. MoMA at NGV will provide a unique survey of the Museum’s iconic collection. Consisting of approximately 200 key works, arranged chronologically into eight thematic sections, the exhibition will trace the development of art and design from late-nineteenth-century urban and industrial transformation, through to the digital and global present.

The Museum of Modern Art (MoMA) is a renowned institution dedicated to championing innovative modern and contemporary art. The Museum opened in Manhattan in 1929, with the vision to become ‘the greatest modern art museum in the world’. This is reflected in its interdisciplinary collection of almost 200,000 works by over 10,000 artists, shared between six curatorial departments: Architecture and Design, Drawings and Prints, Film, Media and Performance Art, Painting and Sculpture, and Photography.

National Gallery of Victoria, Melbourne


Rineke Dijkstra

Collection Centre Pompidou (group show)
Centre Pompidou, Malaga, from 28 March 2015 - ongoing

Rineke Dijkstra, I See a Woman Crying ( Weeping Woman ), 2009
Rineke Dijkstra, I See a Woman Crying ( Weeping Woman ), 2009

The world famous gallery Centre Pompidou is coming to Malaga. Without doubt the Pompidou art center in Paris is one of the greatest homes of twentieth century art. In line with the arresting appearance of the Pompidou in Paris the Malaga collection will be housed in the large glass cube, built with a cultural purpose in mind and which is situated at the corner which joins Muelle Uno and Muelle Dos of Malaga’s newly renovated port. The new Malaga Pop-Up museum will house a fine selection of its French mother. The museum that is at time of writing under full construction is expected to open on March 28th, just before the touristic season takes off.


Centre Pompidou, Malaga