Günther Förg: A Fragile Beauty (solo show)
Dallas Museum of Art, Dallas
21 October 2018 - 27 January 2019
Günther Förg: A Fragile Beauty will survey the prolific and provocative career of the late artist Günther Förg (1952-2013). Förg was closely associated with the Cologne scene of the 1980s, a group of irreverent artists who challenged the traditions of painting. This exhibition—the first major museum presentation of his work in the United States since 1989—will bring renewed attention to Förg’s work by examining his legacy in relation to key issues of the 20th century, including postwar nostalgia and loss and the utopianism of high modernism. Günther Förg: A Fragile Beauty is co-organized with the Stedelijk Museum, Amsterdam, and will be on view exclusively in the US at the DMA.
Dallas Museum of Art, Dallas
Günther Förg, Albert Oehlen, Julian Schnabel et al.
Paintings from the 1980s and 1990s. MUDAM Collection (group show)
29 September 2018 - 7 April 2019
The Mudam Collection is the most important collection of contemporary art in Luxembourg. Resolutely international in its scope and ambition, the collection's holdings consist of close to 700 works of art in all media by artists from Luxembourg and around the world. The constitution of the collection traces back to the first acquisitions for the museum in the 1990s, the creation of the Museum of Modern Art Grand-Duc Jean Foundation in 1998, and the opening of the Museum in 2006. The majority of works in the collection date from 1989 to the present.
Starting in the autumn of 2018, Mudam launches a new cycle unveiling the museum’s collection and its history. This first chapter features a rich selection of paintings from the 1980s and 1990s. It presents the diversity of possibilities offered by the medium in terms of a history of painting.
Günther Förg, Thomas Struth et al.
Light Sensitive 2: Photography from the Schaufler Collection (group show)
15 April 2018 - 6 January 2020
Contemporary photography from the Schaufler Collection will be on display from September 2017 at the SCHAUWERK Sindelfingen. The museum will link this show to the LICHTEMPFINDLICH exhibition of 2011, which had presented the large collection of this medium to the public for the first time in the impressive space of the former high rack warehouse in the SCHAUWERK. This lofty storage space inspires with its revolving ramp, which extends over 15 metres upward: an exhibition place par excellence for photography, with spectacular visual axes for viewing from near and afar.
Along with major works from the first exhibition, LICHTEMPFINDLICH 2 will also display photographs that previously haven’t been shown, so that a more comprehensive representation of the contemporary photography collection can occur. The main interest of the collectors Peter Schaufler and Christiane Schaufler-Münch is not directed toward the medium and its history per se, but leans more toward the fascination that arises from certain motifs, pictorial inventions, and their formal transformations.
The classic genres of photography—nude, portrait, landscape, architecture, or industry—are mirrored in the works, but are often citations or stages of conceptual processes. Most of the protagonists within the context of this collection have left behind the conventional framework of photography.