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Rineke Dijkstra

Picasso, a Period of Conflict (group show)
Carré d'Art, Nîmes
24 October 2018 - 3 March 2019

Rineke Dijkstra, I See a Woman Crying, 2009 (film still) © Rineke Dijkstra
Rineke Dijkstra, I See a Woman Crying, 2009 (film still) © Rineke Dijkstra

For the exhibition at the Carré d’Art, the Musée Picasso has consented to an exceptional loan of thirty-seven works. The choice for the Carré d’Art fell upon the creations of Picasso during the agitated political period of the Second World War through to his remarkable 1951 painting, Massacre in Korea. Ever since 1937, with the creation of Guernica, Picasso experienced a period of political commitment during which he lost all hope of seeing a free Spain. These troubled times were reflected in most of the subjects – portraits, still lifes, landscapes – which he treated over the course of these years. Violence is brilliantly portrayed in La Suppliante (1937), as well as in the many portraits of Dora Maar, in which it plays a vital part. It is also present in the Weeping Woman series or Cat Catching a Bird.

The exhibition also attempts to initiate a dialogue between Picasso’s works and those of contemporary artists. There is, on the one hand, in the very heart of the space dedicated to Picasso, the presence of artists who provide perspectives on his work. Also, in parallel, the exhibition Lignes de Fuite (Vanishing Points) presents artists of different backgrounds who are directly concerned by the conflicts in the Middle East and Eastern Europe.

Carré d'Art, Nîmes


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Rineke Dijkstra

Hockney – Van Gogh: The Joy of Nature (group show)
Van Gogh Museum, Amsterdam
1 March - 26 May 2019

The major exhibition Hockney – Van Gogh: The Joy of Nature demonstrates the unmistakable influence that Vincent van Gogh had on the work of David Hockney (1937). On view from 1 March to 26 May 2019.
Visitors learn about both artists’ fascination with nature, their use of bright colours and their experimentation with perspective. Hockney’s monumental Yorkshire landscapes play a central role.
The exhibition Hockney - Van Gogh: The Joy of Nature features some 120 works, including highlights such as the imposing The Arrival of Spring in Woldgate, East Yorkshire (2011) from the Centre Pompidou collection, Hockney’s intimate sketchbooks and his iPad drawings. Photographer Rineke Dijkstra created a portrait of the artist, who is now 81 years old, especially for this exhibition.

Van Gogh Museum, Amsterdam


Rineke Dijkstra

RE-VISIONS (group show)
Pinakothek der Moderne - Sammlung Moderne Kunst, Munich
28 February - 17 November 2019

For more than four decades Ann and Jürgen Wilde have been compiling their unique collection of modern and contemporary photography, which has been affiliated with the Bayerische Staatsgemäldesammlungen since 2010, as the Ann and Jürgen Wilde Foundation. Works by photographers like Aenne Biermann, Florence Henri, and Germaine Krull lie at the collection’s core. The program at Galerie Wilde (1972–1985), which was the only gallery in Germany to specialize in photography at the time of its founding, was also innovative for including female photographers, among them Jan Groover, Marcia Resnick, Gwenn Thomas, and Deborah Turbeville. To this day, Ann Wilde remains particularly interested in promoting and acquiring work made by female artists and photographers. On the occasion of her birthday, the donor is opening her private collection to the public for the first time. Re-visions presents photographs that speak to Ann Wilde personally: work from the 1920s up to the present, made by artists like Johanna Diehl, Rineke Dijkstra, Marie Jo Lafontaine, Barbara Probst, Alexandra Ranner, Judith Joy Ross, Martina Sauter, Eva-Maria Schön, Kathrin Sonntag, and Heidi Specker.

Pinakothek der Moderne - Sammlung Moderne Kunst, Munich


Rineke Dijkstra

Treasury! Masterpieces from the Hermitage (group show)
Hermitage, Amsterdam
2 February - 25 August 2019

Rineke Dijkstra, Marianna (The Fairy Doll), 2014 (film still) © Rineke Dijkstra
Rineke Dijkstra, Marianna (The Fairy Doll), 2014 (film still) © Rineke Dijkstra

The tenth anniversary of the Hermitage Amsterdam will trigger a year-long celebration in 2019. The initial event will be Treasury!, the first of the two anniversary exhibitions, featuring a cross-section of masterpieces from the entire collection of the St Petersburg State Hermitage. Including big names in art history like Bernini, Da Vinci, Fabre, Matisse, Rembrandt and Velázquez. Also on show are outstanding works of art from cultures dating back to early prehistory (23,000 BC) and from Ancient Egypt, Classical Greece and Rome; as well as antiquities from civilisations as far afield as Siberia, the Middle East and East-Asia. In the main gallery, below a spectacular piece of light art, you will enjoy thrilling combinations of works from widely differing times and places. What, for example, links Maarten van Heemskerck’s sixteenth-century Calvary triptych with an image of the Buddha made in twelfth-century China? To find out, visit Treasury!

Hermitage, Amsterdam


Rineke Dijkstra, Navid Nuur, Michael Raedecker

Freedom - The Fifty Key Dutch Artworks Since 1968 (group show)
Museum de Fundatie, Zwolle
19 January - 12 May 2019

An exhibition entitled Freedom – The Fifty Key Dutch Artworks Since 1968 will open at Museum de Fundatie in Zwolle on 19 January 2019. This ambitious and somewhat unconventional project will feature the fifty ‘key artworks’, the leading works produced in the Netherlands over the past fifty years. Freedom will be deliberately subjective, intended both as an invitation to debate and as a declaration of love for Dutch art. As such, Freedom will be unmissable for anyone who wants to see all the top art produced in the Netherlands over the past fifty years brought together in one show.

Freedom is being curated by art critic and author Hans den Hartog Jager (b. 1968). He has created a number of other exhibitions for Museum de Fundatie: More Light (2010) about the sublime in contemporary art, More Power (2014) about the possibility or impossibility of artists influencing processes in society and Behold the Man (2016), a portrait gallery that presented an overview both of social change and of developments in art over the past hundred years.

In these times of fragmentation, when the meaning of many things that for decades were taken for granted in the Netherlands is being called into question, we want to show the essential power of art: to open up new vistas, to challenge entrenched values, ethical standards and forms, and to reflect and anticipate the spirit of the age. That is why we have opted for ‘freedom’ as the underlying theme. This word has acquired a curious, almost populist political overtone in the Netherlands in recent years. Fifty years ago ‘freedom’ denoted the revolutionary developments that were breaking out of existing patterns, but now it has come to symbolise clinging to ‘authentic Dutch values’. At the same time, it is easy to maintain that a quest for freedom, independence and uniqueness has remained a core value of contemporary art throughout this period.

With the deliberate, almost classic choice of fifty ‘crucial’ works, we hope to highlight the main elements that constantly recur in the current debate. Art should unashamedly show what it can contribute to ideas, what a unique role it can play in society, whether it be a matter of the importance of a tradition (artistic or otherwise), the way in which art represents national identity, or the degree to which it reflects changing relationships in society. However, just as important is the fact that the exhibition will set out to show visitors how much fantastic art has been produced in the Netherlands over the past fifty years, from Jan Dibbets’ Perspective Correction (1968) to Ria van Eyks My Woven Diary (1976-77), from René Daniels’ Aux Déon (1985) to Natasja Kensmil’s Self-portrait with Cross (1999) and from Guido van der Werve’s Number Eight: Everything Is Going To Be Alright (2009) to Melanie Bonajo’s Night Soil #1 (2016). For decades, art in the Netherlands has been strong, vibrant and free – and it is time to put it firmly in the spotlight.

By bringing so many ‘key artworks’ of the past few decades together, we hope to re-energise the debate on the role of art in society. Ultimately, however, we hope above all that Freedom will be a celebration of the power of art, with an exhibition and a book designed to bring pleasure, inform and provoke thought, so important in the world today.

Museum de Fundatie, Zwolle