clear

Julian Schnabel

At Eternity's Gate (screening followed by a discussion with director Julian Schnabel)
The Museum of Modern Art, New York
15 December, 7pm

Willem Dafoe as Vincent van Gogh in Julian Schnabel’s new film At Eternity’s Gate. Courtesy of CBS Films
Willem Dafoe as Vincent van Gogh in Julian Schnabel’s new film At Eternity’s Gate. Courtesy of CBS Films

Additional:

Julian Schnabel

Aktion Paintings 1985-2017 (solo show)
ARoS Aarhus Kunstmuseum, Aarhus
12 October 2018 - 3 March 2019

Julian Schnabel, installation view, ARoS Aarhus Kunstmuseum, Aarhus, 2018. Courtesy of the artist and ARoS Aarhus Kunstmuseum, Aarhus
Julian Schnabel, installation view, ARoS Aarhus Kunstmuseum, Aarhus, 2018. Courtesy of the artist and ARoS Aarhus Kunstmuseum, Aarhus

ARoS Aarhus Art Museum’s major special exhibition for Autumn 2018 offers a retrospective on one of American art’s great heavyweights — the American painter and film director Julian Schnabel (b. 1951).

The exhibition will be the largest presentation ever of this artist in the Nordic region and will be a sweeping tour de force of the artist’s work over several decades. The exhibition has been arranged in close collaboration with the artist himself and will show over 40 large scale works from a career spanning more than 30 years.

Julian Schnabel stands out as the most noteworthy figure in the revival of figurative and narrative painting at the start of the 1980s. A blustering neo-expressionism that emerged after painting had been disavowed for several years in favour of the 1970s more conceptual and, not least, inward-looking art forms.

Julian Schnabel began his artistic career in the US where he, together with a distinguished group of artists that included Jean-Michel Basquiat, strove to return narrative painting and the subjective to art. This had been abandoned for a long period in favour of a decidedly minimalistic and conceptual style. Known in his younger years as New York’s enfant terrible, Julian Schnabel was friends with Andy Warhol and Basquiat and their circle.

Schnabel became world renowned in the early 1980s for his enormous plate paintings that were painted on large shards of broken porcelain. Schnabel had been inspired to create these after visiting Gaudi’s Parc Güell in Barcelona, famed for its mosaic benches. Schnabel won acclaim and success for his use of unconventional and discordant materials such as smashed plates and visitors to the exhibition will encounter a wealth of varying types of painting, encompassing painted plates and old, distressed tarpaulins, canvas and photographic prints.

The exhibition has come about in close collaboration with Julian Schnabel himself and ARoS and the artist have envisaged an innovative architecture that will lead visitors on a journey around Julian Schnabel’s artistic universe.

In a Danish context, the Danish counterparts to Schnabel, De Unge Vilde, have had a substantial impact on shaping Danish art from the 1980s up to today. Danish artists of the 1980s are among the most celebrated Danish artists and their reintroduction of narrative as foundational for the painting has echoes in Danish art even today. Similarly, ARoS has for many years evinced a particular interest in the wild paintings of the 80s that comprise a large part of the museum’s permanent collection.

The neo-expressionism that Schnabel is an exponent of has founded schools of artists ever since and one can see the legacy of Julian Schnabel among young contemporary artists, both Danish and international, making Julian Schnabel more relevant than ever before.

ARoS Aarhus Kunstmuseum, Aarhus



Günther Förg, Albert Oehlen, Julian Schnabel et al.

Paintings from the 1980s and 1990s. MUDAM Collection (group show)
MUDAM, Luxembourg
29 September 2018 - 7 April 2019

Albert Oehlen, Bobo Alegre, 1996 © Photo: Rémi Villaggi. Courtesy of the artist and MUDAM, Luxembourg
Albert Oehlen, Bobo Alegre, 1996 © Photo: Rémi Villaggi. Courtesy of the artist and MUDAM, Luxembourg

The Mudam Collection is the most important collection of contemporary art in Luxembourg. Resolutely international in its scope and ambition, the collection's holdings consist of close to 700 works of art in all media by artists from Luxembourg and around the world. The constitution of the collection traces back to the first acquisitions for the museum in the 1990s, the creation of the Museum of Modern Art Grand-Duc Jean Foundation in 1998, and the opening of the Museum in 2006. The majority of works in the collection date from 1989 to the present.

Starting in the autumn of 2018, Mudam launches a new cycle unveiling the museum’s collection and its history. This first chapter features a rich selection of paintings from the 1980s and 1990s. It presents the diversity of possibilities offered by the medium in terms of a history of painting.

MUDAM, Luxembourg