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Glenn Brown

on "Closed Eyes" (1890) by Odilon Redon for the Musée d’Orsay
Musée d’Orsay, Paris
18 February 2020

For the Musée d'Orsay's "Une oeuvre / Un regard", the British painter Glenn Brown chose "Closed Eyes" by Odilon Redon, a very enigmatic Work that "draws you in… to think about it, not just look at it".

Glenn Brown (British, 1966) is known for his use of art historical references in his paintings. Brown transforms the appropriated image by changing its color, position and size. His grotesque yet fascinating figures appear to be painted with thick impasto but are actually executed through the application of thin, swirling brushstrokes. His recent practice explore morphing and layering drawings from artists past, creating his particularly masterful amalgamations of lightness, action and form.

With the generous support of VSI Paris - CHINKEL SA

Video on Musée d'Orsay's YouTube channel


Additional:

Glenn Brown et al.

Arcimboldo Face to Face (group show)
Centre Pompidou-Metz, Metz
29 May – 22 November 2021

Installation view: Centre Pompidou-Metz, 2021, © Centre Pompidou-Metz, photo: Marc Domage
Installation view: Centre Pompidou-Metz, 2021, © Centre Pompidou-Metz, photo: Marc Domage

Conceived in a dialogue between Maurizio Cattelan and Chiara Parisi, director of Centre Pompidou-Metz and curator of the exhibition with Anne Horvath, Arcimboldo Face to Face offers an unprecedented journey, away from any chronology, into the meandering thought and timeless vocabulary of this mysterious sixteenth century painter.

Although Arcimboldo’s composite portraits are now universally known, the richness and diversity of his work remains to be discovered. Giuseppe Arcimboldo (1526-1593) was an inventor and a thinker whose thoughts and works go far beyond the question of portrait painting. The exhibition shows how his work has been influencing art history for five centuries and could shed a light on a number of current philosophical and political debates.

In addition to the exceptional presentation of the famous Seasons from the Louvre and the Real Academia de Bellas Artes de San Fernando in Madrid, the show focuses on his most surprising works: the stained-glass windows he created at the very beginning of his career in the Milan Cathedral, the pen and blue wash drawings from the Uffizi Gallery for the feasts and tournaments of the Habsburg court, as well as The Librarian, which is striking for its profoundly conceptual language.

Arcimboldo Face to Face reflects the current state of art through the eyes of 130 artists, whose selection was guided by the influence - assumed, unconscious or fantasized - that the Lombard master exerts on their thinking and art. Each of the 250 works in the exhibition bears the imprint of Arcimboldo’s unique creative freedom and follows a golden thread through the centuries until the present day. Work by Glenn Brown is included.

Centre Pompidou-Metz