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Vera Lutter

Vera Lutter (solo show)
Los Angeles County Museum of Art, Los Angeles
From March 2020

Vera Lutter, Rodin Garden, I: February 22, 2017, Los Angeles County Museum of Art, promised gift of Sharyn and Bruce Charnas © Vera Lutter
Vera Lutter, Rodin Garden, I: February 22, 2017, Los Angeles County Museum of Art, promised gift of Sharyn and Bruce Charnas © Vera Lutter

The Los Angeles County Museum of Art (LACMA) is pleased to announce an artist project and residency with Vera Lutter taking place February 2017–March 2018, culminating in an exhibition in March 2020.

Lutter makes large-scale photographs using one of the oldest optical technologies still in use, that of the camera obscura. Long before the invention of photography, it was known that if light traveled through a tiny hole into a darkened room, an image of the external world (off which the light rays had reflected) would re-form upside down on a wall opposite the tiny opening. Lutter herself began to use a camera obscura in the mid-1990s after moving to New York City. Living at the time in an apartment in midtown Manhattan, she transformed one room into a room-sized camera obscura to document the city outside her window. Since then, Lutter has adopted the camera obscura as her singular working method. She builds enormous cameras out of plywood, or adapts rooms or portable structures (such as shipping containers) in order to photograph a range of sites and subjects.

For her residency at LACMA, Lutter undertook an ambitious project with three components. First, using a custom-built mobile camera, she documented exterior views of the buildings on LACMA’s campus slated for demolition to make room for a new building for the museum’s permanent collection. Second, working with LACMA curators, Lutter photographed the interiors of selected galleries to create images that follow in the grand tradition of 19th-century “gallery paintings” of museum interiors. Third, using her camera obscura method, she photographed paintings in LACMA’s permanent collection. Although Lutter has previously photographed classical and modern sculptures, this was her first time using her camera obscura to photograph two-dimensional works of art.

Los Angeles County Museum of Art, Los Angeles


Additional:

Vera Lutter, Thomas Struth et al.

Civilization: The Way We Live (group show)
Mucem, Marseille
19 January – 24 May 2021

Thomas Struth, Pergamon Museum 1, Berlin, 2001 © Thomas Struth
Thomas Struth, Pergamon Museum 1, Berlin, 2001 © Thomas Struth

Civilization: The Way We Live Now is an international photography exhibition of monumental scale, featuring the work of over 100 contemporary photographers from Africa, the Americas, Asia, Australia and Europe with over 200 original photographs being exhibited.
In this increasingly globalised world, the exhibition explores photographers’ representations of life in cities as its key theme and presents a journey through the shared aspects of life in the urban environment. The selected works create a picture of collective life around the world and document patterns of mass behaviour. The exhibition looks at the phenomenal complexity of life in the twenty-first century and reflects on the ways in which photographers have documented, and held a mirror up, to the world around us.

Mucem


Vera Lutter, Thomas Struth et al.

Civilization: The Way We Live Now (group show)
National Gallery of Victoria (NGV), Melbourne
13 September 2019 - 2 February 2020

Thomas Struth, Pergamon Museum 1, Berlin, 2001 © Thomas Struth
Thomas Struth, Pergamon Museum 1, Berlin, 2001 © Thomas Struth

Civilization: The Way We Live Now is an international photography exhibition of monumental scale, featuring the work of over 100 contemporary photographers from Africa, the Americas, Asia, Australia and Europe with over 200 original photographs being exhibited.
In this increasingly globalised world, the exhibition explores photographers’ representations of life in cities as its key theme and presents a journey through the shared aspects of life in the urban environment. The selected works create a picture of collective life around the world and document patterns of mass behaviour. The exhibition looks at the phenomenal complexity of life in the twenty-first century and reflects on the ways in which photographers have documented, and held a mirror up, to the world around us.

National Gallery of Victoria (NGV)