Vera Lutter

Museum in the Camera (solo show)
Resnick Pavilion, Los Angeles County Museum of Art, Los Angeles
1 April – 12 September 2021

Vera Lutter,
Vera Lutter, "Rodin Garden, I: February 22, 2017", 2017, Los Angeles County Museum of Art, promised gift of Sharyn and Bruce Charnas © Vera Lutter

From February 2017 to January 2019, New York-based artist Vera Lutter was invited by LACMA to work in residence at the museum, creating a new body of work examining the campus architecture, galleries, and collection holdings. "Vera Lutter: Museum in the Camera" features the compelling photographs made during her two-year residency. Lutter uses one of the oldest optical technologies still in use, that of the camera obscura. Before the invention of photography, it was known that if light traveled through a tiny hole into a darkened room, an image of the external world (off which the light rays had reflected) would re-form upside down on a wall opposite the tiny opening. By building room-sized cameras and placing unexposed photo paper across from a pinhole opening, Lutter has adopted the camera obscura as her singular working method, resulting in photographs with an ethereal, otherworldly beauty.

Los Angeles County Museum of Art


Vera Lutter, Thomas Struth et al.

Civilization: The Way We Live Now (group show)
Mucem, Marseille
19 May – 15 August 2021

Thomas Struth, Pergamon Museum 1, Berlin, 2001, 2001, © Thomas Struth
Thomas Struth, Pergamon Museum 1, Berlin, 2001, 2001, © Thomas Struth

Civilization: The Way We Live Now is an international photography exhibition of monumental scale, featuring the work of over 100 contemporary photographers from Africa, the Americas, Asia, Australia and Europe with over 200 original photographs being exhibited.

In this increasingly globalised world, the exhibition explores photographers’ representations of life in cities as its key theme and presents a journey through the shared aspects of life in the urban environment. The selected works create a picture of collective life around the world and document patterns of mass behaviour. The exhibition looks at the phenomenal complexity of life in the twenty-first century and reflects on the ways in which photographers have documented, and held a mirror up, to the world around us.