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Edmund de Waal

>we live here, forever taking leave (solo show)
Waddesdon Manor, Buckinghamshire
15 June – 30 October 2022

Image: Edmund de Waal, psalm, IV, 2019. Porcelain, marble, alabaster, steel, wood, aluminium and glass © Edmund de Waal. Courtesy of the artist and the National Library of Israel. Photo: Mike Bruce
Image: Edmund de Waal, psalm, IV, 2019. Porcelain, marble, alabaster, steel, wood, aluminium and glass © Edmund de Waal. Courtesy of the artist and the National Library of Israel. Photo: Mike Bruce

Returning to Waddesdon after his 2012 exhibition, Edmund de Waal CBE will present a selection of works at the Rothschild's famed manor. This solo exhibition brings together a curated selection of new and striking pieces, exploring the interconnected relations between faith, history, displacement, learning and archives. Featured prominently are two large scale works, psalm, IV and sukkah. Both of which are set to be exhibited in the National Library of Israel opening early 2023. 


Waddesdon Manor


Additional:

Edmund de Waal

Conversation with Alexandra Harris & Norman McBeath (talk)
London Review Bookshop, London
Thursday, 29 September 2022, 7pm

Image: Edmund de Waal, Photo: Holger Niehaus
Image: Edmund de Waal, Photo: Holger Niehaus

Edmund de Waal and photographer Norman McBeath will be in conversation with Alexandra Harris, professor of English at Birmingham University, discussing their collaboration, Perdendosi. The event will take place at the London Review Bookshop on 29 September 2022, at 7pm.

London Review Bookshop


Edmund de Waal et al.

Yugen (opera set design)
Dutch National Opera & Ballet, Amsterdam
13 – 28 September 2022

Artists of the Royal Ballet in Yugen, Royal Opera House, London, 2018,
 Photo: Andrej Uspenski
Artists of the Royal Ballet in Yugen, Royal Opera House, London, 2018,
 Photo: Andrej Uspenski

Edmund de Waal has designed the set for Wayne McGregor's acclaimed ballet Yugen, at the Dutch National Ballet, Amsterdam. The Dutch premier of the show will run from 13 – 28 September as a part of Shadows, a series of ballets about war, power and hope. 

Dutch National Opera & Ballet


Edmund de Waal

In conversation with V&A Director Tristram Hunt (talk)
The Lydia and Manfred Gorvy Lecture Theatre, V&A, London
Monday, 26 September 2022, 7pm

Image: Edmund de Waal, Photo: Holger Niehaus
Image: Edmund de Waal, Photo: Holger Niehaus

Artist Edmund de Waal in conversation with Tristram Hunt, director of the Victoria & Albert Museum. The on-site talk celebrates the launch of Edmund de Waal’s limited edition of four plates, titled On the White Road, which honor the V&A's ceramic collections and were created in partnership with Wedgwood. 

Read more


Edmund de Waal et al.

The Feuerle Collection Silk Room, Edmund de Waal and Unseen Pieces from The Feuerle Collection (group show)
Feuerle Collection, Berlin
17 September 2022 – Easter 2023

Image: Edmund de Waal, Lettres à Camondo (pour P.G.), 2021, Photo: Alzbeta Jaresova
Image: Edmund de Waal, Lettres à Camondo (pour P.G.), 2021, Photo: Alzbeta Jaresova

Edmund de Waal’s works are included in the exhibition The Feuerle Collection Silk Room, on view at the Feuerle Collection in Berlin from 17 September 2022 until Easter 2023.

Curated by the collection’s founder, collector Désiré Feuerle, this exhibition will focus on a selection of recent works by Edmund de Waal, juxtaposed with unseen pieces from the collection.

The idea behind this exhibition is to juxtapose the poetic content of Edmund de Waal’s work and the timeless character of extraordinary Asian achievements from the 6th and 16th century. De Waal is a contemporary artist, but his soul I see in Rembrandt, in the beauty of Italian Renaissance painters, and in historic philosophy. De Waal is a storyteller, who transports you to dark grounds, but also into the beauty of light. For that reason, de Waal’s waves can be found both in ancient Asian art, and in the great achievements of European masters of Wunderkammern, as if these were seen through the eye of a Morandi.  de Waal creates magic imaginary boxes which contain beauty in the eyes of the spectator. Most people would see him linked to porcelain, but I think his creations using porcelain go much further and beyond the feeling porcelain creates in our eyes.

– Désiré Feuerle

Feuerle Collection


Edmund de Waal

Edmund de Waal in conversation with André Aciman (podcast)

Edmund de Waal, photo: Holger Niehaus
Edmund de Waal, photo: Holger Niehaus

In an episode for the podcast series Always Authors, Edmund de Waal joins the acclaimed writer André Aciman in conversation about their work, lives, and favourite books.

Listen to the podcast here.


Edmund de Waal

Eine STADT. Ein BUCH. 2021
From 12 November 2021, Vienna

From 12 November onwards, 100,000 copies of Der Hase mit den Bernsteinaugen, the German edition of Edmund de Waal's family memoir, will be given away across Vienna as part of this year's Eine STADT. Ein BUCH. Since 2002, this initiative has dedicated its yearly programme to selecting a specially produced book, which is printed and distributed for free across the city.

Eine STADT. Ein BUCH


Edmund de Waal

Edmund de Waal in conversation with Lisa Zeitz

Edmund de Waal, photo: Ben McKee
Edmund de Waal, photo: Ben McKee

For the eleventh episode of the podcast series WELTKUNST – Was macht die Kunst?, Edmund de Waal is in conversation with art historian and journalist Lisa Zeitz, to talk about his highly celebrated book The Hare With Amber Eyes. Listen to this episode here.


Edmund de Waal

Honoured with CBE (Commander of the Order of the British Empire)

Image: Edmund de Waal, photo: Ben McKee
Image: Edmund de Waal, photo: Ben McKee

We congratulate Edmund de Waal on being appointed a CBE (Commander of the Order of the British Empire) for his outstanding services to the art as a potter and writer.


Edmund de Waal

stone for two hands and water, 2021
Henry Moore Foundation Studio & Gardens
From 31 March 2021

Installation view: Edmund de Waal, stone for two hands and water, 2021, reproduced by permission of Edmund de Waal and New Art Centre, Wiltshire, © Edmund de Waal, courtesy of the artist
Installation view: Edmund de Waal, stone for two hands and water, 2021, reproduced by permission of Edmund de Waal and New Art Centre, Wiltshire, © Edmund de Waal, courtesy of the artist

Edmund de Waal's sculpture stone for two hands and water, 2021 is on view at the Henry Moore Foundation Studio & Gardens from 31 March 2021. The sculpture has been made by the artist as part of the forthcoming exhibition The Living Hands: Edmund de Waal presents Henry Moore at the Henry Moore Foundation. This exhibition is curated by de Waal and is scheduled to open on 19 May 2021.

Henry Moore Foundation Studio & Gardens


Edmund de Waal

Letters to Camondo (publication)
Now published in France, UK and USA

Edmund de Waal's newest book, Letters to Camondo, has been published in France, UK and USA.

Count Moïse de Camondo lived a few doors away from Edmund de Waal's forebears, the Ephrussi, first encountered in his bestselling memoir The Hare with Amber Eyes. Like the Ephrussi, the Camondos were part of belle époque high society. They were also targets of anti-semitism.

Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son to inherit. But when Nissim was killed in the First World War, it became a memorial and, on the Count's death, was bequeathed to France.

The Musée Nissim de Camondo has remained unchanged since 1936. Edmund de Waal has explored the lavish rooms, exquisite objects and detailed archives. In a haunting series of letters, he writes to the Count, and gets to know the boy who journeyed from Constantinople and became a model French citizen, before all that was gained was torn away.

Order a copy here.


Edmund de Waal

library of exile (catalogue)

The British Museum has published a catalogue on Edmund de Waal's work, centring around his "library of exile", currently shown at the museum.

"This beautifully produced book reflects upon the themes raised by de Waal’s thought-provoking work of art. A preface by Booker Prize-nominated author Elif Shakef considers the importance of literature and its capacity to transcend language and borders. The introduction from British Museum Director, Hartwig Fischer, positions the artwork within the wider context of the Museum’s collection, highlighting the dialogue between objects through time, from ancient history to the contemporary. Finally, de Waal concentrates on the work itself, its journey to the British Museum via Venice and Dresden, and its future role in the foundation of the new University of Mosul Library. 'Library of exile' is a contemplative read which celebrates language and the opportunity for dialogues with the displaced."

British Museum


Edmund de Waal

Edmund de Waal in conversation with Whitechapel Gallery Director Iwona Blazwick (podcast)

Edmund de Waal. Photo: Ben McKee
Edmund de Waal. Photo: Ben McKee

Renowned artist, ceramicist and writer Edmund de Waal joins Whitechapel Gallery Director Iwona Blazwick to discuss the legacy of British artist and potter Bernard Leach. Founder of the Leach Pottery in St. Ives 100 years ago and celebrated in Kai Althoff’s current show, Leach drew on traditional Japanese ceramics to lay the foundations for modern Studio Pottery. Author of a critical account of Leach’s genesis and aesthetic, de Waal discusses his enduring appeal.

Listen to the podcast by clicking here.

Whitechapel Gallery