Thomas Struth's work will be featured in On View: Encounters with the Photographic, at Pinakothek der Moderne, Munich. The Ann and Jürgen Wilde Foundation and the Collection of Photography and Time-Based Media are presenting a joint overview of their holdings in one exhibition for the first time. Bringing together some 250 works by more than 50 artists, the exhibition highlights key moments in 20th and 21st-century artistic photography, including both core pieces and recent acquisitions. Curated by Simone Förster and Franziska Kunze, this exhibtion presents the medium of photography as a powerful art form that shapes visual perception and influences current discourses.

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Thomas Struth’s work, Pergamon Museum I, Berlin 2001, 2001, will be on display at Kunsthalle München, as part of the exhibition, Civilization: The Way We Live Now. Presenting work by more than100 internationally renowned photographers, the exhibition sheds light on various aspects of our highly complex coexistence – from humankind’s great achievements to our collective failings.  In the year of its 40^th anniversary, Kunsthalle München is dedicating this exhibition to the question of how we live today, illustrating civilisation’s diversity as well as its contradictions.

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Thomas Struth’s work is featured in the group exhibition Typologien, an extensive study dedicated to 20^th-century German photography. The exhibition path follows a typological rather than chronological order, bringing together more than 600 photographic works by 25 established and lesser-known artists, essential for recounting a century of Germany photography. A system of suspended walls creates geometric partitions in the exhibition space, forming unexpected connections between artistic practices that differ from each other, but are united by a common principle or intention of classification.

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The Städel Museum will present 27 of Rineke Dijkstra’s works in a solo exhibition, including 21 images from her ‘Beach Portraits’ series which drew international attention, establishing her as one of the most influential photographers in contemporary art. Works from the ‘Streets’ series and a self-portrait of the artist are also featured in the exhibition. What at first appear to be snapshots are in fact carefully composed photographs captured within a search for the essence of human existence. It is with these sensitive encounters that the artist raises questions about authenticity and truthfulness in portrait photography.

Städel Museum

The Berlinische Galerie will host a solo show of work by Rineke Dijkstra. Giving an overview of her practice from the 1990s to the present-day, Still – Moving explores the theme of ‘transition’, featuring series such as ‘New Mothers’, ‘Bullfighters’ and ‘Almerisa’. ‘The Park series’, partly created in Berlin’s Tiergarten, will also be presented, alongside never-before-seen photographs from the artist’s archives. Since the early 1990s, Dijkstra has produced an impressive body of photographic and video work, offering a contemporary take on the genre of portraiture. By isolating her subjects from their context and focusing on subtle glimmers of individuality, Dijkstra encourages viewers to look closely at people in various different stages of transition.

Berlinische Galerie

Thomas Struth’s photograph Queen Elizabeth II and The Duke of Edinburgh, Windsor Castle 2011, 2011, will be on view as part of the exhibition Inspiring People. Transforming the National Portrait Gallery, the Inspiring People project comprises a complete re-presentation of the Collection, combined with a significant refurbishment of the building, the creation of public spaces, a more welcoming visitor entrance and public forecourt, and a new Learning centre. The Gallery reopens to the public on 22 June 2023.

National Portrait Gallery

Archive Matrix Assembly: The Photography of Thomas Struth 1978–2018 presents the first comprehensive, systematic theory of Thomas Struth’s main body of photographic work from its beginnings in the late 1970s until his most recent work in 2018. The book presents a unique, evolutionary understanding of the work, proposing that it has established three stages of production: archive, matrix, and assembly. Together the three stages form a developmental system that characterizes the individual photographs, their relation to their subject matter, and how they form larger, significant collections of images. The book project accomplishes three main goals: it develops a comprehensive critical reading of the work, it serves as a monograph of the artist, and it provides an extensive analysis of the photographs at all stages, including the less discussed, more recent photography, which is placed on par with the earlier work for which Struth first became internationally renowned.

Order a copy here.