André Butzer’s painting Untitled (Paula Modersohn-Becker), 2017, is included in the exhibition Becoming Paula, at the Paula Modersohn-Becker Museum, Bremen. Marking the 150th anniversary of Paula Modersohn-Becker’s birth, the exhibition celebrates the German painter’s life, work, and enduring legacy. In addition to the famous paintings made during the last years of her life, the exhibition focuses on her reception in the 20th and 21st centuries, formally introducing this topic for the first time.

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We are delighted to announce that a recent reiteration of André Butzer’s iconic ‘Frauenbildnisse’, is now part of the permanent collection of the prestigious Städel Museum in Frankfurt am Main, whose holdings span 700 years of art history.

André Butzer’s latest publication, Die Jahreszeiten / The Seasons, published on 17 October 2025 during the Frankfurter Buchmesse, features 40 watercolours created by the artist in response to 47 poems by Friedrich Hölderlin on the four seasons, written between 1793 and 1843.

On the occasion of the release, a book signing took place on 1 November 2025, at the TASCHEN Store in Berlin. Actor Lars Eidinger gave a live reading of selected poems from the book. 

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Work by André Butzer will feature in the group show THE LONG NOW at Saatchi Gallery, London, which opens on 5 November 2025. Celebrating the last 40 years of contemporary art, the exhibition presents new works by artist closely associated with the Gallery’s dynamic history, alongside fresh voices from a new generation.

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Published on the occasion of the artist’s ​​solo exhibition Endless Summer, at Galerie Max Hetzler and Gagosian, Paris from 20 October – 20 December 2025.

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Work by André Butzer features in the collection presentation at Rubbell Museum, Miami. The new installation of the collection highlights, updated on 25 October 2025, features significant works spanning painting, sculpture, works on paper, and installation drawn from the Rubell Family’s expansive collection of over 7,700 works.

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A new monograph on André Butzer, See The Vision, has been recently released by M. Books, an independent London-based publisher specialising in limited-edition collector art books. The publication presents a collection of detailed images showcasing iconic figures and characters from Butzer’s oeuvre. Spanning 2000 to 2024 and bringing together 44 paintings, See The Vision is both a study of expression in contemporary art and a documentation of Butzer’s diverse vision and movement over 24 years. 

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Work by André Butzer is featured in the group show ONLY HUMAN at the Kunsthalle 8000, Wädenswil, until 14 February 2026. The exhibition explores the notion of being ‘only human’ – a phrase often used to express limitation, fallibility, and vulnerability. Rather than idealizing humanity, the participating artists engage with the individual as suspended between presence and absence, reflecting on personal actions and their consequences.

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André Butzer’s sculpture, Untitled [Leben ist Tod ... und der Tod ist auch ein Leben], 2024, will be permanently installed in the Bibliothek Günther Förg, Hauptstraße 7, on view from 2 August 2025.

Shaped from heavy brass plates, the monumental ‘N’ is recognisable as a letter or an indefinable and irrational number. However, due to its height of over one metre, it exceeds all legibility. Taking up the existential mood of his N-paintings, Butzer’s work succeeds in expressing the relationship between presence and absence, death and life.

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Published on the occasion of the solo exhibition Schweinekubismus, at Galerie Max Hetzler, Berlin from 14 September – 2 November 2024.

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On the occasion of his retrospective at the Museo Nacional Thyssen-Bornemisza in 2023, André Butzer created Untitled (Fränzi), 2022, an integral painting paying homage to Ernst Ludwig Kirchner’s Fränzi in front of a Carved Chair, 1910. Now, Butzer’s painting – which has been in the collection of the museum for several years – is also part of the display of the museum’s permanent collection, residing closely to its spiritual sister painting.

In the presence of the artist, the new installation was celebrated by Blanca and Borja Thyssen-Bornemisza, Museum Director Guillermo Solana, and numerous international guests and friends. Presenting Butzer’s Untitled (Fränzi) amidst the museum’s permanent collection of classical modernism is a premiere, which prominently manifests that the past is still very much alive today: ‘I see Expressionism as a machine that processes the past into the future.’ (André Butzer, 2006).

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SALON Magazine presents a marvellous feature, which brings to the fore André Butzer’s recent institutional exhibitions in Italy, Spain, Japan and Austria, complemented by 7 hand-drawn sketches reminiscent of the displays at the Museo Novecento, Museo Stefano Bardini, Museo Nacional Thyssen-Bornemisza, Museum of the Light and St Nikolaus.

Albert Oehlen’s work is included in Post-Atomic Abstraction, a collection presentation in room 203 at The Museum of Modern Art, New York. During the final years of the Cold War and in the decades that followed, artists in Germany and the United States faced a brave – and contradictory – new world. The presentation brings together artists’ responses to this period of transition, where the push and pull between the prewar and post-atomic worlds fostered novel paths toward abstraction.

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Albert Oehlen’s monumental sculpture Ömega Man, 2023, is now on view to the public in Weidingen, where it emerges from the vast landscape of the Südeifel. Its simplified form and slightly raised steel bars, recessed into their concrete casting, evoke the lightness of a drawing. Here, the persistent importance of the line in Oehlen’s work becomes evident, appearing simultaneously curved and controlled. In this work, the artist uses elements which are both abstract and figurative to critically examine the history and conventions of contemporary art, all the while continuing to acknowledge the importance of classical models. Massive yet fragile in its isolation, Oehlen’s Ömega Man appears like a monument from the future. Omega, the last letter of the Greek alphabet, is here written with an umlaut, thereby referring to the artist’s own name. 

Stiftung zur Förderung Zeitgenössischer Kunst in Weidingen

This new publication provides a compelling overview of exhibitions of André Butzer at Galerie Max Hetzler since his first with the gallery in 2003, charting his 17 solo and 10 group exhibitions in Berlin, Paris and London. Installation views and large-format illustrations of all exhibited works are accompanied by contemporary texts including reviews and catalogue essays.​ The book is now available for purchase on the Galerie Max Hetzler publications website. 

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Works by Albert Oehlen are now represented at the group exhibition Space for Imaginative Actions at Kunstmuseum Bonn. The exhibition celebrated the museum’s thirtieth anniversary and brings together monographic and thematic works from more than forty artists. 

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Made in close collaboration with the artist, this unprecedented huge-format survey presents the future and origins of his painting according to André Butzer. From his early works of ‘Science Fiction Expressionism’ that centered around a cast of figures at home both in space and in culturally occupied Europe, to his exploration of abstraction’s far limits in the seemingly black N-Paintings, Butzer emerges as an ever-inventive colorist who finds a new beginning in each work.

This is the first book first to span the full range of André Butzer’s oeuvre from 1999 to 2021, the works’ progression gaining an almost musical drive of development, return, and new beginnings. The plates are interspersed with contemporary quotes from the artist that illuminate his idiosyncratic stance as a background to the work, as well as photos from his archives. The introductory essay, written by Hans Werner Holzwarth, investigates the different work phases, and places the artist’s ideas in a wider discourse of abstraction and figuration after the end of either genre. And, most importantly, the book’s pristine, huge-format illustrations fully evidence the finesse as a colorist that place this artist among the internationally most recognized painters of his generation.

‘Expressionism was about going back to nature and nakedness, about inner more than outer space. Now we can give this field a new task – to be informed by seriality, post-industrialism, and modern mankind’s artificiality. So I include organic and non-organic parts, fake nature and fake human. Titian said painting is about flesh and water, and I say it is about flesh and lemonade.’

— André Butzer

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All good things come in threes and so do André Butzer’s collected writings. The third volume is elegantly sharp and poignant. Editor Alexander Linn continues to explore the unique fictitious universe, Butzer calls »NASAHEIM«. Boldly touching on the latter’s own work and biography, art history as well as music in numerous letters, in-depth conversations and poems. Guided by the simple question: What is real?, Butzer searches for »the actual location of painting, the space in-between. It’s a very esoteric but easy to understand conception of truth.«

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Edition Linn