MATTHEW BARNEY, URS FISCHER et al.

Natural Mystics (group show)
The Warehouse Dallas Art Foundation
27 September 2025 – 31 January 2026

Matthew Barney, CREMASTER 3: Mahabyn, 2002, © Matthew Barney
Matthew Barney, CREMASTER 3: Mahabyn, 2002, © Matthew Barney

Work by Matthew Barney and Urs Fischer is featured in the group show Natural Mystics at The Warehouse Dallas Art Foundation. Across a variety of media, the artists in the exhibition reckon with the world on different terms: intuitive, embodied, non-linear, organic. Their works acts not as a mirror held to the world, but a portal by which ideas can pass through and be changed.

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Matthew Barney, CREMASTER 3: Mahabyn, 2002, © Matthew Barney
Matthew Barney, CREMASTER 3: Mahabyn, 2002, © Matthew Barney

Additional:

MATTHEW BARNEY

SECONDARY (publication)
Published by Rizzoli Electa

Photo: def image
Photo: def image

SECONDARY is a five-channel video installation by Matthew Barney, performed in the artist’s Long Island City studio in 2023, then in London, Paris, and Los Angeles in 2024. The plot revolves around an accident that occurred during a football game in 1978, when Oakland Raiders’ Jack Tatum delivered an open field hit on Darryl Stingley, a wide receiver for the New England Patriots. Stingley was left paralysed. The tragic event remained seared in the minds of American fans, including Barney himself, a youth-league quarterback at the time.

Through allusion to American sports culture, SECONDARY explores the complex intersection of violence, its representation, and its celebration. It reimagines the game through a unique movement vocabulary. The result is a physical study that focuses on every element of the game, from drills and pre-game rituals to moments of impact and their slow-motion replays.

Volume 1 explores SECONDARY in depth, with essays by leading contemporary voices. Volume 2 maps the life of Barney’s former Long Island City studio, where SECONDARY premiered to the public.

Contributions by Eric Banks, Jonathan Bepler, Raven Chacon, Mark Godfrey, Juliette Lecorne,  Helen Marten,  Maggie Nelson, and David Thomson
Author: Matthew Barney
Edited by Louise Neri

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Photo: def image
Photo: def image

URS FISCHER

Good Luck Peanuts, 2024 (installation)
Palazzo Diedo – Berggruen Arts&Culture, Venice

Installation view: Urs Fischer, Good Luck Peanuts, 2024, photo: courtesy of Palazzo Diedo – Berggruen Arts & Culture
Installation view: Urs Fischer, Good Luck Peanuts, 2024, photo: courtesy of Palazzo Diedo – Berggruen Arts & Culture

Urs Fischer’s site-specific ceiling painting Good Luck Peanuts, 2024, is on permanent view at Palazzo Diedo – Berggruen Arts & Culture, in Venice.  Fischer’s installation was created for the ceiling of the movie theatre using various painting techniques, ranging from acrylic to enamel on sand, and from fresco to lime plaster. Playing on the visual illusion offered by the perception of plasticity, the textured brushstrokes on the frame, and the deep perspective of a clear-sky, Fischer’s work offers – with characteristic humour – a contemporary trompe l’oeil.  

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Installation view: Urs Fischer, Good Luck Peanuts, 2024, photo: courtesy of Palazzo Diedo – Berggruen Arts & Culture
Installation view: Urs Fischer, Good Luck Peanuts, 2024, photo: courtesy of Palazzo Diedo – Berggruen Arts & Culture

MATTHEW BARNEY

Honorary member of the American Academy of Arts and Letters 2024

Image: Matthew Barney, 2023, photo: Julieta Cervantes, courtesy of the artist
Image: Matthew Barney, 2023, photo: Julieta Cervantes, courtesy of the artist

We congratulate Matthew Barney on becoming an Honorary member of the American Academy of Arts and Letters. Matthew Barney has been elected into the Department of Arts and will be inducted into the American Academy of Arts and Letters during its annual Ceremonial in May 2024.

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Image: Matthew Barney, 2023, photo: Julieta Cervantes, courtesy of the artist
Image: Matthew Barney, 2023, photo: Julieta Cervantes, courtesy of the artist

URS FISCHER

L’Arc, 2016 (permanent installation)
STATION F, Paris

Urs Fischer, L’Arc, 2016, installation view: STATION F, Paris, 2022, photo: Wlad Simitch
Urs Fischer, L’Arc, 2016, installation view: STATION F, Paris, 2022, photo: Wlad Simitch

Urs Fischer’s monumental work L’Arc from 2016 has been installed at the forefront of STATION F, the world’s largest startup campus based in Paris. Made of 202 elements in aluminum alloy with sand casting, this huge arch reinforces the bridge between art and entrepreneurship. Standing 11 meters high, L’Arc is the largest private sculpture on the public space, at the heart of STATION F.

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Urs Fischer, L’Arc, 2016, installation view: STATION F, Paris, 2022, photo: Wlad Simitch
Urs Fischer, L’Arc, 2016, installation view: STATION F, Paris, 2022, photo: Wlad Simitch

URS FISCHER

8, 2014 (permanent installation)
Kunsthaus Zürich

Urs Fischer, 8, 2014, photo: © Juliet Haller, Amt für Stadtebau, ZürichWerk, © Urs Fischer
Urs Fischer, 8, 2014, photo: © Juliet Haller, Amt für Stadtebau, ZürichWerk, © Urs Fischer

Urs Fischer’s sculpture 8 from 2014 has been installed in the new Chipperfield Building at the Kunsthaus Zürich. The official inauguration of the new extension is scheduled to take place on 9 October 2021.

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Urs Fischer, 8, 2014, photo: © Juliet Haller, Amt für Stadtebau, ZürichWerk, © Urs Fischer
Urs Fischer, 8, 2014, photo: © Juliet Haller, Amt für Stadtebau, ZürichWerk, © Urs Fischer