LIZ LARNER et al.

Rhapsody: Works from the Cooper Rosenwasser Collection (group show)
Berkeley Art Museum and Pacific Film Archive
4 March – 28 June 2026

Installation view: Rhapsody: Works from the Cooper Rosenwasser Collection, Berkeley Art Museum and Pacific Film Archive (BAMPFA), photo: Chris Grunder
Installation view: Rhapsody: Works from the Cooper Rosenwasser Collection, Berkeley Art Museum and Pacific Film Archive (BAMPFA), photo: Chris Grunder

Liz Larner’s work, 1531, 2003 is included in the group exhibition Rhapsody, at the Berkeley Art Museum and Pacific Film Archive. Presenting paintings, drawings, prints, sculpture and photographs from the collection of Penny Cooper and Rena Rosenwasser – longtime supporters of BAMPFA and champions of women artists for six decades – the exhibition is arranged into thematic groupings exploring abstraction, design, and representations of the body.

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Installation view: Rhapsody: Works from the Cooper Rosenwasser Collection, Berkeley Art Museum and Pacific Film Archive (BAMPFA), photo: Chris Grunder
Installation view: Rhapsody: Works from the Cooper Rosenwasser Collection, Berkeley Art Museum and Pacific Film Archive (BAMPFA), photo: Chris Grunder

Additional:

LIZ LARNER

Liz Larner: below above (publication)
Published by Kunsthalle Zürich, 2022

Kunsthalle Zürich, design by Dan Solbach
Kunsthalle Zürich, design by Dan Solbach

Published on the occasion of the exhibition Liz Larner: below above, on view at Kunsthalle Zürich from 11 June to 18 September 2022, a pocket-sized publication containing a conversation between the artist and Daniel Baumann, as well as an essay by Tim Power, is now available for purchase.

Kunsthalle Zürich

Kunsthalle Zürich, design by Dan Solbach
Kunsthalle Zürich, design by Dan Solbach

LIZ LARNER

Don't Put It Back Like It Was, 2022 (publication)
Published by Dancing Foxes Press, SculptureCenter, and Walker Art Center
Edited by Karen Kelly and Barbara Schroeder

Don't Put It Back Like It Was is an illustrated catalogue published on the occasion of Liz Larner's largest survey exhibition since 2001, organised by SculptureCenter, New York, and Walker Art Center, Minneapolis. 

Reconsidering her enduring formal and material concerns alongside her relationship to a feminist sculptural position, this monograph offers an opportunity to survey the Los Angeles-based sculptor’s artistic project within today’s expanded discourses of embodiment, gender, and posthumanism.

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LIZ LARNER

Reef, 2019 (permanent installation)
Art Institute of Chicago

Liz Larner, Reef, 2019, ceramic, glaze, stones, minerals, 12.7 x 414 x 229.9 cm, 5 x 163 x 90 1/2 in., Art Institute of Chicago, Claire and Gordon Prussian Fund for Contemporary Art, 2020.61. © Liz Larner
Liz Larner, Reef, 2019, ceramic, glaze, stones, minerals, 12.7 x 414 x 229.9 cm, 5 x 163 x 90 1/2 in., Art Institute of Chicago, Claire and Gordon Prussian Fund for Contemporary Art, 2020.61. © Liz Larner

We are pleased to announce that Liz Larner's sculpture Reef from 2019 is now part of the collection of the Art Institute of Chicago. The work is also currently on view at the institution.

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Liz Larner, Reef, 2019, ceramic, glaze, stones, minerals, 12.7 x 414 x 229.9 cm, 5 x 163 x 90 1/2 in., Art Institute of Chicago, Claire and Gordon Prussian Fund for Contemporary Art, 2020.61. © Liz Larner
Liz Larner, Reef, 2019, ceramic, glaze, stones, minerals, 12.7 x 414 x 229.9 cm, 5 x 163 x 90 1/2 in., Art Institute of Chicago, Claire and Gordon Prussian Fund for Contemporary Art, 2020.61. © Liz Larner