Works by William N. Copley, Sean Scully and Thomas Struth are included in Revisiting: Fernweh, or Nostalgia for Unknown Lands, a group exhibition at The Hellenic Centre, London which presents artworks from the Irene Y. Panagopoulos Collection. Spanning sculpture, painting, photography, printmaking, collage, video, lightboxes and books, and dating from the eighteenth to the twenty-first century, the works in the exhibition explore Greece as a symbolic construct of both past and present, escaping fixed notions of place.

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Thomas Struth’s work is included in MATERIA. Wood, Clay, Straw, Concrete, a group exhibition at the LWL-Museum Hellerlecht, Detmold. After four years of construction, the museum’s new building hosts its inaugural exhibit, which explores sustainability and materiality through the cultural histories of the four materials that shape the new site: wood, clay, concrete and straw.

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Works by Matthew Barney, Katharina Grosse and Thomas Struth are included in A Thousand Times Berlin at the Hamburger Bahnhof, Berlin. Marking the museum’s 30th anniversary, this exhibition presents a new iteration of the collection focusing on Berlin’s art scene in global dialogue from 1989 to today. Featuring over 70 works by more than 50 artists, including paintings, drawings, sculptures, photographs and video installations, the exhibition reflects Berlin’s myth of hedonism and subculture in an international context.

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We congratulate Thomas Struth on being awarded the Soane Honors Award for Photography.

Thomas Struth’s photograph Queen Elizabeth II and The Duke of Edinburgh, Windsor Castle 2011, 2011, will be on view as part of the exhibition Inspiring People. Transforming the National Portrait Gallery, the Inspiring People project comprises a complete re-presentation of the Collection, combined with a significant refurbishment of the building, the creation of public spaces, a more welcoming visitor entrance and public forecourt, and a new Learning centre. The Gallery reopens to the public on 22 June 2023.

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Archive Matrix Assembly: The Photography of Thomas Struth 1978–2018 presents the first comprehensive, systematic theory of Thomas Struth’s main body of photographic work from its beginnings in the late 1970s until his most recent work in 2018. The book presents a unique, evolutionary understanding of the work, proposing that it has established three stages of production: archive, matrix, and assembly. Together the three stages form a developmental system that characterizes the individual photographs, their relation to their subject matter, and how they form larger, significant collections of images. The book project accomplishes three main goals: it develops a comprehensive critical reading of the work, it serves as a monograph of the artist, and it provides an extensive analysis of the photographs at all stages, including the less discussed, more recent photography, which is placed on par with the earlier work for which Struth first became internationally renowned.

Order a copy here.