MATTHEW BARNEY et al.

ZONE DEFENSE: Old Snowmass Parallax (installation)

Old Snowmass, Aspen
Friday, 31 July 2026, 12.30pm

Matthew Barney, TACTICAL parallax, 2025, production still: Maria Baranova © Matthew Barney, courtesy the artist and Aspen Art Museum
Matthew Barney, TACTICAL parallax, 2025, production still: Maria Baranova © Matthew Barney, courtesy the artist and Aspen Art Museum

Matthew Barney presents ZONE DEFENSE: Old Snowmass Parallax as part of Aspen Art Museum’s AIR Festival. This new large-scale sculpture extends Barney's ongoing investigation into the interplay between physical endurance, mythology and material transformation. Figured like a drawing in space, the work responds to TACTICAL parallax, Barney’s site-specific performance for AIR 2025. Tickets are required for the public viewing of ZONE DEFENSE, which will take place on Friday, 31 July.

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Matthew Barney, TACTICAL parallax, 2025, production still: Maria Baranova © Matthew Barney, courtesy the artist and Aspen Art Museum
Matthew Barney, TACTICAL parallax, 2025, production still: Maria Baranova © Matthew Barney, courtesy the artist and Aspen Art Museum

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MATTHEW BARNEY, KATHARINA GROSSE, THOMAS STRUTH et al.

Hamburger Bahnhof – Nationalgalerie der Gegenwart, Berlin
12 June 2026 – ongoing

Thomas Struth, Pergamon Museum I, Berlin, 2001, 2001 © Thomas Struth
Thomas Struth, Pergamon Museum I, Berlin, 2001, 2001 © Thomas Struth

Works by Matthew Barney, Katharina Grosse and Thomas Struth are included in A Thousand Times Berlin at the Hamburger Bahnhof, Berlin. Marking the museum’s 30th anniversary, this exhibition presents a new iteration of the collection focusing on Berlin’s art scene in global dialogue from 1989 to today. Featuring over 70 works by more than 50 artists, including paintings, drawings, sculptures, photographs and video installations, the exhibition reflects Berlin’s myth of hedonism and subculture in an international context.

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Thomas Struth, Pergamon Museum I, Berlin, 2001, 2001 © Thomas Struth
Thomas Struth, Pergamon Museum I, Berlin, 2001, 2001 © Thomas Struth

MATTHEW BARNEY, KATHARINA GROSSE, THOMAS STRUTH, MATTHEW BARNEY, GLENN BROWN, VICTOR MAN, DANIELLE MCKINNEY, ALBERT OEHLEN et al.

​​​​​​​Fondazione Sandretto Re Rebaudengo, Venice
7 May – 12 September 2026

Installation view: Don’t have hope, be hope!, ​​​​​​​Fondazione Sandretto Re Rebaudengo, Venice, 2026, photo: Jacopo Trabuio
Installation view: Don’t have hope, be hope!, ​​​​​​​Fondazione Sandretto Re Rebaudengo, Venice, 2026, photo: Jacopo Trabuio

Works by Matthew Barney, Glenn Brown, Victor Man, Danielle Mckinney and Albert Oehlen are included in the inaugural exhibition, Don’t have hope, be hope! at Isola di San Giacomo, the new location of the Fondazione Sandretto Re Rebaudengo in Venice. San Giacomo will become a place for producing artistic projects and hosting research and discussions on art, music, cinema, theatre and contemporary culture. Surrounded by the delicate ecosystem of the lagoon, the island will serve as a laboratory for ecological reflection, where the principles of sustainability and energy transition will be put into practice.

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Installation view: Don’t have hope, be hope!, ​​​​​​​Fondazione Sandretto Re Rebaudengo, Venice, 2026, photo: Jacopo Trabuio
Installation view: Don’t have hope, be hope!, ​​​​​​​Fondazione Sandretto Re Rebaudengo, Venice, 2026, photo: Jacopo Trabuio

MATTHEW BARNEY, KATHARINA GROSSE, THOMAS STRUTH, MATTHEW BARNEY, GLENN BROWN, VICTOR MAN, DANIELLE MCKINNEY, ALBERT OEHLEN, MATTHEW BARNEY, PAUL McCARTHY et al.

In the Studio: Space, Work, Legend (group show)
Bündner Kunstmuseum, Chur
25 January – 5 July 2026

Matthew Barney, DRAWING RESTRAINT 6, 1989,  (production still) © Matthew Barney, video: Alexander Lee
Matthew Barney, DRAWING RESTRAINT 6, 1989, (production still) © Matthew Barney, video: Alexander Lee

Matthew Barney and Paul McCarthy are included in the group exhibition In the Studio: Space, Work, Legend, at the Bündner Kunstmuseum, Chur. The exhibition draws on works from the Swiss museum’s permanent collection to examine various concepts, legends, and realities of the artist’s studio. It presents the studio as a global production site as well as a space for thinking and imagination, one shaped by longing and reflection, whose meaning is constantly changing.

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Matthew Barney, DRAWING RESTRAINT 6, 1989,  (production still) © Matthew Barney, video: Alexander Lee
Matthew Barney, DRAWING RESTRAINT 6, 1989, (production still) © Matthew Barney, video: Alexander Lee

MATTHEW BARNEY

Published by Rizzoli Electa

Photo: def image
Photo: def image

SECONDARY is a five-channel video installation by Matthew Barney, performed in the artist’s Long Island City studio in 2023, then in London, Paris, and Los Angeles in 2024. The plot revolves around an accident that occurred during a football game in 1978, when Oakland Raiders’ Jack Tatum delivered an open field hit on Darryl Stingley, a wide receiver for the New England Patriots. Stingley was left paralysed. The tragic event remained seared in the minds of American fans, including Barney himself, a youth-league quarterback at the time.

Through allusion to American sports culture, SECONDARY explores the complex intersection of violence, its representation, and its celebration. It reimagines the game through a unique movement vocabulary. The result is a physical study that focuses on every element of the game, from drills and pre-game rituals to moments of impact and their slow-motion replays.

Volume 1 explores SECONDARY in depth, with essays by leading contemporary voices. Volume 2 maps the life of Barney’s former Long Island City studio, where SECONDARY premiered to the public.

Contributions by Eric Banks, Jonathan Bepler, Raven Chacon, Mark Godfrey, Juliette Lecorne,  Helen Marten,  Maggie Nelson, and David Thomson
Author: Matthew Barney
Edited by Louise Neri

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Photo: def image
Photo: def image

MATTHEW BARNEY, KATHARINA GROSSE, THOMAS STRUTH, MATTHEW BARNEY, GLENN BROWN, VICTOR MAN, DANIELLE MCKINNEY, ALBERT OEHLEN, MATTHEW BARNEY, PAUL McCARTHY, MATTHEW BARNEY, RAYMOND HAINS et al.

Fondation Cartier pour l’art contemporain, Paris
25 October 2025 – 23 August 2026

Matthew Barney, CREMASTER 4, 1994, (production still) 
©1994 Matthew Barney, photo: Michael James O’Brien
, courtesy Gladstone Gallery, New York and Brussels
Matthew Barney, CREMASTER 4, 1994, (production still) 
©1994 Matthew Barney, photo: Michael James O’Brien
, courtesy Gladstone Gallery, New York and Brussels

Work by Matthew Barney and Raymond Hains will feature in the group show Exposition générale, at Fondation Cartier pour l’art contemporain, Paris, from 25 October. Exhibiting works from their extensive collection, Exposition générale showcases both the Fondation Cartier’s artistic identity and its legacy, presenting nearly six hundred works by more than one hundred artists who have participated in its programming from 1984 to the present day.

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Matthew Barney, CREMASTER 4, 1994, (production still) 
©1994 Matthew Barney, photo: Michael James O’Brien
, courtesy Gladstone Gallery, New York and Brussels
Matthew Barney, CREMASTER 4, 1994, (production still) 
©1994 Matthew Barney, photo: Michael James O’Brien
, courtesy Gladstone Gallery, New York and Brussels

MATTHEW BARNEY

Image: Matthew Barney, 2023, photo: Julieta Cervantes, courtesy of the artist
Image: Matthew Barney, 2023, photo: Julieta Cervantes, courtesy of the artist

We congratulate Matthew Barney on becoming an Honorary member of the American Academy of Arts and Letters. Matthew Barney has been elected into the Department of Arts and will be inducted into the American Academy of Arts and Letters during its annual Ceremonial in May 2024.

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Image: Matthew Barney, 2023, photo: Julieta Cervantes, courtesy of the artist
Image: Matthew Barney, 2023, photo: Julieta Cervantes, courtesy of the artist