WILLIAM N. COPLEY, SEAN SCULLY, THOMAS STRUTH et al.

Revisiting: Fernweh, or Nostalgia for Unknown Lands (group show)

8 October – 7 November 2026
The Hellenic Centre, London

Installation view: Revisiting: Fernweh, or Nostalgia for Unknown Lands, The Hellenic Centre, London, 2026, photo: Tom Carter, courtesy of Irene Y. Panagopoulos Collection
Installation view: Revisiting: Fernweh, or Nostalgia for Unknown Lands, The Hellenic Centre, London, 2026, photo: Tom Carter, courtesy of Irene Y. Panagopoulos Collection

Works by William N. Copley, Sean Scully and Thomas Struth are included in Revisiting: Fernweh, or Nostalgia for Unknown Lands, a group exhibition at The Hellenic Centre, London which presents artworks from the Irene Y. Panagopoulos Collection. Spanning sculpture, painting, photography, printmaking, collage, video, lightboxes and books, and dating from the eighteenth to the twenty-first century, the works in the exhibition explore Greece as a symbolic construct of both past and present, escaping fixed notions of place.

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Installation view: Revisiting: Fernweh, or Nostalgia for Unknown Lands, The Hellenic Centre, London, 2026, photo: Tom Carter, courtesy of Irene Y. Panagopoulos Collection
Installation view: Revisiting: Fernweh, or Nostalgia for Unknown Lands, The Hellenic Centre, London, 2026, photo: Tom Carter, courtesy of Irene Y. Panagopoulos Collection

Additional:

SEAN SCULLY

Officier de l’Ordre des Arts et des Lettres 2026

Portrait: Sean Scully, 2024, photo: Holger Niehaus
Portrait: Sean Scully, 2024, photo: Holger Niehaus

We are delighted to announce that Sean Scully has been named an Officier de l’Ordre des Arts et des Lettres, one of France’s highest cultural honours. The award was personally presented by Catherine Pégard, France's Minister of Culture.

Portrait: Sean Scully, 2024, photo: Holger Niehaus
Portrait: Sean Scully, 2024, photo: Holger Niehaus

SEAN SCULLY

Sean Scully. Lines of Emotion (solo show)

Kunstmuseum Magdeburg
29 September 2026 – 21 March 2027

Installation view: Sean Scully. Lines of Emotion, Kunstmuseum Magdeburg, 2026, photo: courtesy of Kunstmuseum Magdeburg
Installation view: Sean Scully. Lines of Emotion, Kunstmuseum Magdeburg, 2026, photo: courtesy of Kunstmuseum Magdeburg

Sean Scully’s work is the subject of Lines of Emotion, a solo exhibition at Kunstmuseum Magdeburg. Staged within the monastic architecture of the museum’s four cloisters, the exhibition presents important bodies of the artist’s work from the past three decades, including large-scale ‘Doric’ and ‘Wall of Light’ paintings alongside Scully’s figurative ‘Eleuthera’ series, which is deeply rooted in German Expressionism.

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Installation view: Sean Scully. Lines of Emotion, Kunstmuseum Magdeburg, 2026, photo: courtesy of Kunstmuseum Magdeburg
Installation view: Sean Scully. Lines of Emotion, Kunstmuseum Magdeburg, 2026, photo: courtesy of Kunstmuseum Magdeburg

THOMAS STRUTH et al.

MATERIA. Wood, Clay, Straw, Concrete (group show)

LWL-Museum Hellerlecht, Detmold
2 October 2026 – 4 April 2027

Thomas Struth, Betonwolke, Kyoto 1986, 1986 © Thomas Struth
Thomas Struth, Betonwolke, Kyoto 1986, 1986 © Thomas Struth

Thomas Struth’s work is included in MATERIA. Wood, Clay, Straw, Concrete, a group exhibition at the LWL-Museum Hellerlecht, Detmold. After four years of construction, the museum’s new building hosts its inaugural exhibit, which explores sustainability and materiality through the cultural histories of the four materials that shape the new site: wood, clay, concrete and straw.

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Thomas Struth, Betonwolke, Kyoto 1986, 1986 © Thomas Struth
Thomas Struth, Betonwolke, Kyoto 1986, 1986 © Thomas Struth

THOMAS STRUTH et al.

Passants parmi les Pierres (group show)

fjk3 – Contemporary Art Space, Vienna
29 May – 13 September 2026

Thomas Struth, Kreuzung alte Hauptstrasse, Yamaguchi 1986, 1986 © Thomas Struth
Thomas Struth, Kreuzung alte Hauptstrasse, Yamaguchi 1986, 1986 © Thomas Struth

Thomas Struth’s photographs are included in the group exhibition Passants parmi les Pierres at fjk3 – Contemporary Art Space, Vienna. Curated by German photographer Thomas Demand, the exhibition is dedicated to representations of the relationship between the individual, architecture and public space, featuring photographs and films with text contributions by Austrian author Clemens J. Setz.

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Thomas Struth, Kreuzung alte Hauptstrasse, Yamaguchi 1986, 1986 © Thomas Struth
Thomas Struth, Kreuzung alte Hauptstrasse, Yamaguchi 1986, 1986 © Thomas Struth

THOMAS STRUTH

Soane Honors Award for Photography

Sir John Soane's Museum Foundation, New York
21 October 2025

Photo:  © Sir John Soane’s Museum Foundation
Photo: © Sir John Soane’s Museum Foundation

We congratulate Thomas Struth on being awarded the Soane Honors Award for Photography.

Photo:  © Sir John Soane’s Museum Foundation
Photo: © Sir John Soane’s Museum Foundation

SEAN SCULLY

Sean Scully: Dark Yet (publication)

Galerie Max Hetzler Berlin | Paris | London | Marfa / Holzwarth Publications, Berlin 2024
With an essay by Sean Rainbird

Photo: def image
Photo: def image

Published in conjunction with the artist’s first solo exhibition at Galerie Max Hetzler, Berlin: Dark Yet, 19 April – 1 June 2024.

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Photo: def image
Photo: def image

THOMAS STRUTH et al.

Inspiring PeopleThomas Struth

National Portrait Gallery, London
From 22 June 2023

Thomas Struth, Queen Elizabeth II and The Duke of Edinburgh, Windsor Castle 2011, 2011, © Thomas Struth
Thomas Struth, Queen Elizabeth II and The Duke of Edinburgh, Windsor Castle 2011, 2011, © Thomas Struth

Thomas Struth’s photograph Queen Elizabeth II and The Duke of Edinburgh, Windsor Castle 2011, 2011, will be on view as part of the exhibition Inspiring People. Transforming the National Portrait Gallery, the Inspiring People project comprises a complete re-presentation of the Collection, combined with a significant refurbishment of the building, the creation of public spaces, a more welcoming visitor entrance and public forecourt, and a new Learning centre. The Gallery reopens to the public on 22 June 2023.

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Thomas Struth, Queen Elizabeth II and The Duke of Edinburgh, Windsor Castle 2011, 2011, © Thomas Struth
Thomas Struth, Queen Elizabeth II and The Duke of Edinburgh, Windsor Castle 2011, 2011, © Thomas Struth

THOMAS STRUTH

Archive Matrix Assembly: The Photography of Thomas Struth 1978–2018

Archive Matrix Assembly: The Photography of Thomas Struth 1978–2018

Archive Matrix Assembly: The Photography of Thomas Struth 1978–2018 presents the first comprehensive, systematic theory of Thomas Struth’s main body of photographic work from its beginnings in the late 1970s until his most recent work in 2018. The book presents a unique, evolutionary understanding of the work, proposing that it has established three stages of production: archive, matrix, and assembly. Together the three stages form a developmental system that characterizes the individual photographs, their relation to their subject matter, and how they form larger, significant collections of images. The book project accomplishes three main goals: it develops a comprehensive critical reading of the work, it serves as a monograph of the artist, and it provides an extensive analysis of the photographs at all stages, including the less discussed, more recent photography, which is placed on par with the earlier work for which Struth first became internationally renowned.

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Archive Matrix Assembly: The Photography of Thomas Struth 1978–2018