Toby Ziegler
Toby Ziegler
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Toby Ziegler brings together motifs derived from a wide range of sources, including photographs of the Freud family, Spanish still-life paintings, Dutch Old Masters and Nineteenth Century landscape paintings. He uses the computer to generate new forms and pictorial spaces, playing with facetted structures for his sculptures and manipulating layers of pattern for his two dimensional works. The physical realization of these digital forms allows mistakes and idiosyncrasies to creep into the rigorous schematic process and to erase the clear distinction between figuration and abstraction. Toby Ziegler revels in the slippage between the virtual and the actual, and furthermore in the very physical acts of decomposing, distorting, and damaging the materials. While Ziegler provides the viewer with some access to follow his path he intentionally leaves room for personal interpretation.
"As a process, the enlargement of pixelated, discoloured images seems almost automatic in Ziegler – as if no new voice could be imparted to an image before it had passed through a singular neutralising filter. [...] The metal ensures a very specific form of paint adhesion and drying; it retains the trace of every brushstroke, whose nuances stand out at each transition. [...] Yet these operations would mean nothing without a further process, one that comes into effect after the first layer of paint has been painstakingly laid down. Of course, it is thought through from the start with the aid of a computer used to elaborate the composition. This second stage can be perceived as a kind of sabotage – though without it the painting would not be complete. Ziegler now sprays the painting, authoritatively superimposing a pattern over the motif."
Jean-Marie Gallais, in Toby Ziegler: Borderline Something, Galerie Max Hetzler and Holzwarth Publications, 2013
Image: Feeble Rays, 2014, oil on aluminium, 160 x 200 cm
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INPUT / OUTPUT: PAINTING AFTER TECHNOLOGY
41 Dover Street, London
16 April – 25 May 2019
Preview Tuesday 16 April, 6 – 8pm
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HALFTONE
Darren Almond, Tauba Auerbach, Mark Barrow & Sarah Parke, Jeff Elrod, John Houck, Navid Nuur, Albert Oehlen, Michael Raedecker, Ida Tursic & Wilfried Mille, Kelley Walker, Christopher Wool, Toby Ziegler
Galerie Max Hetzler Berlin | Paris 2014
Text by Pierre-Nicolas Bounakoff
€ 15,-
REMEMBER EVERYTHING
Darren Almond, Glenn Brown, André Butzer, Rineke Dijkstra, Günther Förg, Mona Hatoum, Jeff Koons, Vera Lutter, Marepe, Beatriz Milhazes, Ernesto Neto, Frank Nitsche, Albert Oehlen, Yves Oppenheim, Richard Phillips, Michael Raedecker, Bridget Riley, Thomas Struth, Rebecca Warren, Christopher Wool, Toby Ziegler
Galerie Max Hetzler / Holzwarth Publications / Ridinghouse, Berlin and London 2014
With texts by Julie Sylvester and Jean-Marie Gallais
Edited by Jean-Marie Gallais
€ 45,-
Borderline Something
Toby Ziegler
Galerie Max Hetzler, Berlin 2013
Text by Jean-Marie Gallais
Edition of 400
Out of print
