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Adam Pendleton

US/U.S., 2020 featured on the cover of Artforum, October/November 2020 issue

Image: Adam Pendleton, US/U.S., 2020, spray painting on paper, © Adam Pendleton
Image: Adam Pendleton, US/U.S., 2020, spray painting on paper, © Adam Pendleton

Adam Pendleton is featured on the cover of Artforum October / November 2020 issue, as part of "Projects: Art of the Possible".

"For this election issue, Artforum asked nine artists to contribute projects reflecting on a moment that requires us to think the unthinkable. As of this writing, we are waiting to see whether Election Day 2020 will mark an end to the hallucinatory nightmare of Donald Trump's presidency; whether it will constitute a victory of a setback for the white supremacists who enabled him to rise; whether the reactionary violence against Black Lives Matter protesters and other enemies of the regime will effloresce into civil war. We are waiting to see if the unimaginable occurs. But if we are to truly move beyond this presidency and all the forms of violence and injustice that made it possible, we must change in ways that, while positive and necessary, are almost equally far-fetched. "

Artforum


Additional:

Adam Pendleton et al.

To Be Determined (group show)
Dallas Museum of Art, Dallas
27 September – 27 December 2020

Adam Pendleton, Untitled (WE ARE NOT), 2019. Dallas Museum of Art, TWO x TWO for AIDS and Art Fund, 2020.17. Courtesy of the artist
Adam Pendleton, Untitled (WE ARE NOT), 2019. Dallas Museum of Art, TWO x TWO for AIDS and Art Fund, 2020.17. Courtesy of the artist

To Be Determined juxtaposes works from many centuries, geographies, and cultures to trace how the significance of art can shift when presented in new contexts. Drawn from the DMA’s global collection, the exhibition features works of art, sacred objects, and design from the 13th century to the present, including 13 new acquisitions and important paintings by Dallas-based artists. To Be Determined affirms the resilience of individuals and communities through evocative—and occasionally unexpected—groupings of works that resonate with current and historical struggles.

Organized through collaboration among the DMA’s entire curatorial team, the exhibition explores what it means to be present with works of art after extended time apart. It shines a light on how viewers create their own meaning for the works they engage with. To Be Determined takes an audience-centered, open-ended approach to interpretation, encouraging viewers to make personal connections.

Dallas Museum of Art


Adam Pendleton

Who Is Queen? (solo show)
The Museum of Modern Art, New York
11 September 2021 – 2 January 2022

Images from L/R:
Images from L/R: "Poor People’s Campaign", Resurrection City, June 25, 1968. AP/ Bob Daugherty; Adam Pendleton, "Untitled (Who is Queen)", 2019; Adam Pendleton, "Queen" (detail), 2020

The Museum of Modern Art will present Adam Pendleton: Who Is Queen?, a large-scale multimedia installation that will be on view in the Donald B. and Catherine C. Marron Atrium. Based in New York, Adam Pendleton (American, born 1984) is a Conceptual artist who uses historical and aesthetic content from visual culture to explore the ways in which context influences meaning. Pendleton reconfigures words, forms, and images to provoke critical questioning.

For this presentation, Pendleton’s monumental installation will bring the formal mechanics of musical counterpoint—the folding and unfolding of simultaneous voices—into contact with the aesthetics of protest. For the duration of the exhibition, MoMA’s Marron Atrium will be transformed into an arena encompassed by three wooden, floor-to-ceiling vertical scaffolds. These modular systems, built from four basic units, will be designed to resemble balloon framing used in American house construction.

The Museum of Modern Art


Adam Pendleton

Adam Pendleton – Signed Edition (publication)

The first encompassing publication on the work of the groundbreaking American artist Adam Pendleton, published by Phaidon, is now available for pre-order.

Adam Pendleton's original and powerful body of work has been described as the embodiment of a new era. His multifaceted projects, which include painting, collage, film, and publishing, re-contextualize historical and theoretical positions on abstraction, blackness, and the avant-garde. Working predominantly in black-and-white, Pendleton often creates 'total works' that envelop viewers and push the limits of contemporary discourse.

Phaidon



Adam Pendleton et al.

Yesterday's Tomorrow: Selections from the Rose Collection, 1933 – 2018 (group show)
Rose Art Museum, Brandeis University, Waltham
7 February – 20 November 2020

Installation view: Yesterday's Tomorrow: Selection from the Rose Collection, 1933–2018, Rose Art Museum, 2020. Photo: Charles Mayer
Installation view: Yesterday's Tomorrow: Selection from the Rose Collection, 1933–2018, Rose Art Museum, 2020. Photo: Charles Mayer

Despite language used to describe it, the past is rarely stilled within the fixed frame of retrospective distance. Instead, defying attempts at neat chronology, the past resurfaces and evolves in the expanding now. Images and narratives echo at the edges of the present and shade visions of the future. Interwoven with and twisted by current events and shifting perspectives, individual and collective understandings of history are forever in flux.

This presentation from the collection brings together works by artists who wrestle with, and create room for, such circuitous trajectories. Reckoning with complexities, atrocities, and losses both recent and removed, these artists confront the challenge of giving shape to subjects which resist direct representation, and locating their own place within the imprint of broad and tangled influences. Eschewing the inflexible formats of traditional monumentality, the objects in this exhibition open onto layered narratives, making room for history’s multiplicities and giving space to the subjective and intimate sway of memory. In doing so, they mirror the slippery footing with which we navigate our standing both in relation to an envisioned yesterday and an imagined tomorrow.

Rose Art Museum



Adam Pendleton

Elements of Me (solo show)
Isabella Stewart Gardner Museum, Boston
13 February – 15 November 2020

Installation view: Isabella Stewart Gardner Museum, Boston, 2020. Photo: Stewart Clements Photography and Design
Installation view: Isabella Stewart Gardner Museum, Boston, 2020. Photo: Stewart Clements Photography and Design

Adam Pendleton’s exhibition considers the relations between (geometric) abstraction, blackness, and languages of collectivity. Three basic shapes—square, triangle, and circle—are the refrains in this room-sized installation.

Pendleton is a New York-based artist known for work animated by what the artist calls “Black Dada,” a critical articulation of blackness, abstraction, and the avant-garde. Drawing from an archive of language and images, Pendleton makes conceptually rigorous and formally inventive paintings, collages, videos, and installations that insert his work into broader conversations about history and contemporary culture. His work is held in public collections including The Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Carnegie Museum of Art, Pittsburgh; Museum of Contemporary Art, Chicago; Museum of Contemporary Art, San Diego; The Studio Museum in Harlem, New York; and Tate, London, among others.


Isabella Stewart Gardner Museum


Urs Fischer, Adam Pendleton et al.

If on a Winter's Night a Traveler (group show)
Tel Aviv Museum of Art, Tel Aviv
17 December 2019 – 26 December 2020

Adam Pendleton,
Adam Pendleton, "Untitled (masks)", 2019. © Adam Pendleton. Courtesy the artist and Galerie Max Hetzler Berlin | Paris | London. Photo: Andy Romer

Mirosłav Bałka – Jean-Michel Basquiat – Max Ernst – Urs Fischer – 
Rashid Johnson – Michael Joo – Adam McEwen – Adam Pendleton 
– Ugo Rondinone – Henry Taylor

This small-scale group exhibition borrows its name from the title of Italo Calvino’s novel, published in 1979, towards the end of the Italian author’s life (1923–1985). If on a Winter’s Night a Traveler was written as an act of wandering through reading, during which the author leads us through various tales that remain unfinished, and never become a coherent plot together. It is written in the second person, making us, the readers, not only his companions on the literary journey but actual protagonists of the reading course. Inspired by the novel, the exhibition “If on a winter’s night a traveler” (in Hebrew it is a female traveler) aims to offer the viewer a journey following observation of art. The viewer (that is, you) is invited to wander along, opposite, beside and around 13 works of art created by ten artists: two lived and worked in the 20th century, the others live and work in the early 21st century. 
The links between the works will hopefully be revealed along the journey: questions of identity, masculinity (old and new), cruelty (between people and in relation to nature), figuring the humanbody and the way in which cultures nurture and enrich each other. “If on a winter’s night a traveler” invites you to wander through the gallery and compose your own story of the exhibition from layers of clues, meanings and sub-plots that the works bring forth.

Tel Aviv Museum of Art