clear

Darren Almond, Thomas Struth et al.

The Garden - End of Times; Beginning of Times: #1 The Past (group show)
ARoS, Aarhus
8 April - 10 September 2017

Paradise 27, Rio Madre de Dios, Peru 2005. © Thomas Struth
Paradise 27, Rio Madre de Dios, Peru 2005. © Thomas Struth

In 2017, ARoS presents the first triennial entitled THE GARDEN – End of Times; Beginning of Times. The exhibition will extend over two entire galleries at the museum as well as carefully selected locations in the urban landscape, and a coastal stretch along the bay bordered by woodland just south of the city. This will create an art zone spanning more than four kilometres.

The Past at ARoS examines the landscape and man’s relationship with nature seen from an artistic and ideological perspective in a gigantic exhibition on 2 floors.

ARoS Aahrus


Additional:

Thomas Struth

Aspen Art Museum, Aspen (solo show)
19 January – 17 June, 2018

Thomas Struth, Front Yard, Tel Aviv 2014, 2014 © Thomas Struth
Thomas Struth, Front Yard, Tel Aviv 2014, 2014 © Thomas Struth

Acclaimed German artist Thomas Struth’s pivotal series on the Middle East is on view in Gallery 1 in its entirety for the first time. The series of eighteen monumental photographs of Israel and Palestine taken between 2009 and 2014 depicts places and people throughout the region, encompassing street views, sites of technological research, and family portraits. Photographing within the political climates of East Jerusalem, Tel Aviv, the Golan Heights, Ramallah, Al-Khalil/Hebron, Nazareth, and Negev, Struth conveys vivid and emotional narratives of place.

Aspen Art Museum, Aspen


Thomas Struth

Nature & Politics (solo show)
Saint Louis Art Museum, Saint Louis
5 November 2017 - 21 January 2018

Thomas Struth, Tokamak Asdex Upgrade Interior 2, Max Planck IPP, Garching, 2009 © Thomas Struth
Thomas Struth, Tokamak Asdex Upgrade Interior 2, Max Planck IPP, Garching, 2009 © Thomas Struth

Thomas Struth: Nature & Politics is a photographic exploration of cutting-edge industrial and scientific research spaces. In over 35 works created within the past decade, the celebrated German artist Thomas Struth ambitiously takes technology and engineering as his overarching subject. With vivid color and monumental scale, he investigates the fascinating complexities of sites where knowledge, ambition, and imagination are advanced.

The featured works are drawn from the artist's visits to Europe, America, Asia, and the Middle East. Struth takes viewers into spaces normally kept from public view, such as aeronautical centers, robotics laboratories, and nuclear fusion facilities, examining humanity's attempts to understand and harness forces of nature, often at great cost of resources.

Nature & Politics intersperses Struth's technological subjects with other recent work, including images of the fantasy environments of Disneyland and the war-torn landscapes of the West Bank. This poses intriguing questions about the relationship between nature and humanity in our increasingly fabricated world, as well as drawing attention to the financial and political ambition that underscores the massive technological endeavors of our present day.

Saint Louis Art Museum, Saint Louis


Darren Almond

Visions of Nature (group show)
Kunst Haus Wien Museum Hundertwasser, Vienna
13 September 2017 - 18 February 2018

Darren Almond, Fullmoon @Cerro Chalten, 2013 © Darren Almond, Courtesy White Cube Gallery
Darren Almond, Fullmoon @Cerro Chalten, 2013 © Darren Almond, Courtesy White Cube Gallery

Mankind’s relationship with nature is subject to continual change. But never before in our planet’s history have the changes caused by mankind’s impact on nature had such far-reaching repercussions as they do today. The exhibition has taken twenty-five artistic positions by international and Austrian artists working in the medium of photography and video to examine the way in which our relationship with nature is currently reflected from an artistic point of view. They address the theme of nature and the ways of representing and depicting nature against the backdrop of the Anthropocene, the first epoch in the Earth’s history to be shaped by mankind’s impact.

All the works are situated within the interplay between nature as a place of longing and nature as a resource, and anchored in the juxtaposition between vulnerable eco-system and a force of nature capable of enduring all. They demonstrate that the photographic depiction of nature and landscape as a construct shapes our perception of nature; they also illustrate the ways in which we human beings approach, and distance ourselves from, nature. The spectrum of works on show (ranging from Darren Almond to Anna Reivilä) also serves to highlight just how changeable our relationship with nature actually is. Nature is not a place that stands detached and aloof from cultural contexts; rather, nature and culture are inseparably linked.

Kunst Haus Wien Museum Hundertwasser, Vienna


Thomas Struth

Figure Ground (solo show)
Haus der Kunst, Munich
5 May 2017 - 7 January 2018

Thomas Struth, Schaltwerk 1, Berlin 2016 © Thomas Struth
Thomas Struth, Schaltwerk 1, Berlin 2016 © Thomas Struth

This exhibition of the renowned German photographer Thomas Struth (born in 1954), presents a comprehensive survey of his genre-defining oeuvre. Covering four decades of work and every phase of his career, the exhibition focuses on Struth's social interests, which represent the important forces of his influential artistic development. Comprised of more than 120 works, this exhibition is the largest survey of his artistic career to date. It brings together never-before-shown early works and collected research material drawn from his archive; these, elucidate the far-reaching and longstanding ideas behind the works and demonstrate the process of his artistic translation up to the perfection of the image.

The survey links these early ideas to well-known work groups such as "Straßen" (Streets), "Unbewusste Orte" (Unconscious Places), "Portraits", "Museumsbilder" (Museum Pictures), "Paradise", and "Audiences". These are placed in dialogue with the slide projection "Nachtprojekt" produced for Skulptur Projekte Münster in 1987, as well as video portraits and other video projections, the recent photographic series from "Nature & Politics", and site-specific works such as "Löwenzahnzimmer" (Dandelion Room), the landscape and flower photographs created for hospital rooms in Winterthur, Switzerland. This interplay highlights the artist’s ability to combine analysis and pictorial invention in multifaceted works and techniques that result in overarching and powerful photographic images.

The exhibition is curated by Thomas Weski and organized by Haus der Kunst.

Haus der Kunst, Munich