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Darren Almond, Thomas Struth et al.

The Garden - End of Times; Beginning of Times: #1 The Past (group show)
ARoS, Aarhus
8 April - 10 September 2017

Paradise 27, Rio Madre de Dios, Peru 2005. © Thomas Struth
Paradise 27, Rio Madre de Dios, Peru 2005. © Thomas Struth

In 2017, ARoS presents the first triennial entitled THE GARDEN – End of Times; Beginning of Times. The exhibition will extend over two entire galleries at the museum as well as carefully selected locations in the urban landscape, and a coastal stretch along the bay bordered by woodland just south of the city. This will create an art zone spanning more than four kilometres.

The Past at ARoS examines the landscape and man’s relationship with nature seen from an artistic and ideological perspective in a gigantic exhibition on 2 floors.

ARoS Aahrus


Additional:

Thomas Struth

This Place (group show)
The Picker Art Gallery at Colgate University, Hamilton
1 February - 20 May 2018

This Place comprises the work of twelve photographers who, between 2009 and 2012, spent extended periods of time in Israel and the West Bank. Frédéric Brenner, Wendy Ewald, Martin Kollar, Josef Koudelka, Jungjin Lee, Gilles Peress, Fazal Sheikh, Stephen Shore, Rosalind Fox Solomon, Thomas Struth, Jeff Wall, and Nick Waplington each brought their own expertise and perspective to bear in developing their individual projects. Brought together in This Place, their photographs reveal a portrait of a land and its peoples that is complex, fragmented, and paradoxical.

The Picker Art Gallery will present works by four of the twelve photographers: Josef Koudelka, Rosalind Fox Solomon, Thomas Struth, and Nick Waplington. The exhibition is part of a collaborative project with the Wellin Museum of Art at Hamilton College, the University Art Museum at SUNY Albany, and the Tang Teaching Museum at Skidmore College. Each museum is exhibiting their portion of This Place concurrently. This experimental presentation underlines the intention of the organizers and institutions to offer the exhibition as a space of experimentation, questioning, and dialogue.

The Picker Art Gallery at Colgate University, Hamilton


Darren Almond

"The Light Between Us" (solo show)
Villa Pignatelli - Casa della Fotografia, Naples
20 January – 4 March 2018

Darren Almond, Amalfi Sketchbook V, 2014 © Darren Almond
Darren Almond, Amalfi Sketchbook V, 2014 © Darren Almond

Thomas Struth

Image Building: How Photography Transforms Architecture (group show)
Parrish Art Museum, Water Mill
18 March - 17 June 2018

Image Building: How Photography Transforms Architecture is a comprehensive survey that explores the dynamic relationship between architecture, photography, and the viewer. Seen through the lens of historical and architectural photographers from the 1930s to the present, Image Building offers a nuanced perspective on how photographs affect our understanding of the built environment and our social and personal identities. The exhibition features 57 images that explore the social, psychological, and conceptual implications of architecture through the subjective interpretation of those who captured it.

Organized by guest curator Therese Lichtenstein, Ph. D, Image Building brings together works by 19 renowned, under-recognized, and emerging artists ranging from early modern to contemporary architectural photographers. In addition to photographs, Image Building includes ephemera such as magazines and books that illustrate how the meaning of photography shifts when presented in the context of high art or mass culture. 

Organized thematically into Cityscapes, Domestic Spaces, and Public Places, the exhibition examines the relationship between contemporary and historical approaches to photographing buildings in urban, suburban, and rural environments, looking at influences, similarities and differences. By juxtaposing these photographs, Image Building creates a dialogue between the past and present, revealing the ways photography shapes and frames the perception of architecture, and how that perception is transformed over time.

Parrish Art Museum, Water Mill


Thomas Struth

Thomas Struth (solo show)
Aspen Art Museum, Aspen
19 January – 10 June 2018

Thomas Struth, Front Yard, Tel Aviv 2014, 2014 © Thomas Struth
Thomas Struth, Front Yard, Tel Aviv 2014, 2014 © Thomas Struth

Acclaimed German artist Thomas Struth’s pivotal series on the Middle East is on view in Gallery 1 in its entirety for the first time. The series of eighteen monumental photographs of Israel and Palestine taken between 2009 and 2014 depicts places and people throughout the region, encompassing street views, sites of technological research, and family portraits. Photographing within the political climates of East Jerusalem, Tel Aviv, the Golan Heights, Ramallah, Al-Khalil/Hebron, Nazareth, and Negev, Struth conveys vivid and emotional narratives of place.

Aspen Art Museum, Aspen


Darren Almond

Visions of Nature (group show)
Kunst Haus Wien Museum Hundertwasser, Vienna
13 September 2017 - 18 February 2018

Darren Almond, Fullmoon @Cerro Chalten, 2013 © Darren Almond, Courtesy White Cube Gallery
Darren Almond, Fullmoon @Cerro Chalten, 2013 © Darren Almond, Courtesy White Cube Gallery

Mankind’s relationship with nature is subject to continual change. But never before in our planet’s history have the changes caused by mankind’s impact on nature had such far-reaching repercussions as they do today. The exhibition has taken twenty-five artistic positions by international and Austrian artists working in the medium of photography and video to examine the way in which our relationship with nature is currently reflected from an artistic point of view. They address the theme of nature and the ways of representing and depicting nature against the backdrop of the Anthropocene, the first epoch in the Earth’s history to be shaped by mankind’s impact.

All the works are situated within the interplay between nature as a place of longing and nature as a resource, and anchored in the juxtaposition between vulnerable eco-system and a force of nature capable of enduring all. They demonstrate that the photographic depiction of nature and landscape as a construct shapes our perception of nature; they also illustrate the ways in which we human beings approach, and distance ourselves from, nature. The spectrum of works on show (ranging from Darren Almond to Anna Reivilä) also serves to highlight just how changeable our relationship with nature actually is. Nature is not a place that stands detached and aloof from cultural contexts; rather, nature and culture are inseparably linked.

Kunst Haus Wien Museum Hundertwasser, Vienna