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Charles Gaines

Pivotal: Highlights from the Collection (group show)
Orange County Museum of Art, Newport Beach
7 October - 31 December 2017

Charles Gaines, Numbers And Trees X #4, Red Violet January, 1991. Courtesy the artist and Orange County Museum of Art
Charles Gaines, Numbers And Trees X #4, Red Violet January, 1991. Courtesy the artist and Orange County Museum of Art

OCMA has always championed artistic experimentation and innovation through a commitment to showing and collecting the work of dynamic and groundbreaking emerging artists. This installation will reveal how impactful and prescient OCMA has been in supporting the careers of some of the most influential artists from this region at pivotal moments in their careers.

Orange County Museum of Art, Newport Beach


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Charles Gaines

Solidary & Solitary: The Joyner/Giuffrida Collection (group show)
Nasher Museum of Art, Durham
22 February – 15 July 2018

Charles Gaines, Numbers and Trees, Central Park, Series I, Tree #9, 2016. © Charles Gaines. Courtesy Paula Cooper Gallery, New York
Charles Gaines, Numbers and Trees, Central Park, Series I, Tree #9, 2016. © Charles Gaines. Courtesy Paula Cooper Gallery, New York

The Nasher Museum presents a major nationwide touring exhibition that offers a new perspective on the critical contribution that artists of African descent have made to the evolution of abstract art from 1940s to the present. Solidary & Solitary: The Joyner/Giuffrida Collection is the first large-scale public exhibition to bring together a lineage of visionary black artists. The exhibition begins in the mid-20th century with Abstract Expressionist Norman Lewis and traces a line to some of today’s most celebrated artists, including Theaster Gates and Lorna Simpson, as well as Mark Bradford, who represents the United States at the Venice Biennale 2017.

Solidary & Solitary draws on the Pamela J. Joyner and Alfred J. Giuffrida Collection, which started in 1999 with a focus on abstract work by post-war and contemporary African-American artists, from 1945 to the present. In recent years, the collection’s focus has expanded to include artists from Africa and the global African diaspora.

Nasher Museum of Art, Durham


Charles Gaines

Numbers and Trees IV, #2 Xeno (orange) (site-specific installation)
ICA Miami, Miami
1 December 2017 - 4 November 2018

Charles Gaines, Numbers and Trees IV, #2 Xeno (orange), detail, 2017 © ICA Miami, Charles Gaines
Charles Gaines, Numbers and Trees IV, #2 Xeno (orange), detail, 2017 © ICA Miami, Charles Gaines

Charles Gaines’s multi-panel installation activates ICA Miami’s central stairwell, and explores the artist’s approach to seriality through a unique vertical composition.

The artist’s practice places him within the legacy of Conceptualism, evidenced by works such as his gridded, serial images of trees painted on plexiglass that successively plot the shape of trees on one another. Since the 1970s, he has used self-determined rules in order to translate photographic information; he has said: “I use systems in order to provoke the issues around representation.” Here, photographs of trees are translated in various forms of colorful abstraction.

Gaines’s strict method of presenting his works is notably inspired by early Conceptual practices, but he doesn’t utilize the formal rules or use of language and pictures in the same way that artists such as Joseph Kosuth would. What he intends to lay bare is the arbitrariness and dependence on context of all processes of significance. In simpler terms, in the artist’s view, content, meaning, and emotions do not develop naturally, nor are they universal.

ICA Miami, Miami


Charles Gaines

Field Guide (group show)
Remai Modern, Saskatoon
21 October 2017 - 25 February 2018

On October 21, 2017 Remai Modern will proudly present the inaugural exhibition for Canada’s new museum of modern art.

Field Guide, curated by Executive Director & CEO, Gregory Burke, and Director of Programs & Chief Curator, Sandra Guimarães, will animate the entire building. Selected works from the museum’s collection will be displayed in dialogue with contemporary projects, commissions and installations by international and Canadian artists. Upon opening, Remai Modern will be an artist-centred institution that raises questions, inspires discussion, and enables transformative experiences among both local and global audiences.

“The concept for Field Guide emerges from a set of questions we asked ourselves during the establishment of Remai Modern, including: What is modern? Can art confront reality? What is urgent and why? How will Indigeneity shape the future? And what role can be played by a new art museum opening in Saskatoon, Canada?” said Gregory Burke, Executive Director & CEO. “These questions, and others, will continue to inform the development of our programs, articulating a spirit of active engagement, curiosity and disruption.”

The exhibition will be anchored by several major artist projects that propose new social, personal, and political engagements with the institution and its audiences. A full list of artists included in Field Guide will be announced in the fall and will feature emerging and established artists working in a wide variety of media and across disciplines.

Remai Modern, Saskatoon