LIZ LARNER
London: 41 Dover Street11 November 2021 – 15 January 2022
Installation Views
Press Release
Galerie Max Hetzler, London is pleased to announce a solo exhibition of new work by Liz Larner (b. 1960), ahead of her major institutional exhibitions Don’t put it back like it was opening at the Sculpture Center, New York in January 2022 and travelling to the Walker Art Center, Minneapolis in April, 2022 followed by below above opening at the Kunsthalle Zurich in summer 2022.
Since the 1980s, Liz Larner has explored and extended the conditions and possibilities of sculpture. Employing materials ranging from the sculptural to the mundane — ceramics, bronze, gauze, rubber, chain, leather and bacterial cultures amongst others — Larner approaches each in an innovative way. Through a deep investigation of their particularities and their potential, Larner catalyses the transformation of matter — its unpredictability, life, and autonomy are key to her practice.
This exhibition marks a new chapter in Larner’s diverse oeuvre, bringing together a large-scale plastic serpentine floor sculpture and plastic wall-based sculptures, shown alongside glazed ceramic asteroids. Emulating seafoam, Meerschaum Drift is an assemblage of painted coloured detritus harvested over several years. Using multiple types of plastic — some in its original form, some cut or heated to the point of malleability — Larner modifies its structure and use value. The work is both formally beautiful, luring the viewer in, and a somber trace of human waste, eternally floating on the surface of the earth. Provoking pathos, the representation of the ocean through plastic is both tragic and true. Meerschaum Drift is also a very intimate record of the quotidian, and a trace of the body, revealing all that is rejected or that has served a finite purpose.
The glazed ceramic asteroids, positioned on the gallery floor, embody the tension between representation and abstraction, reality and imagination. Porous, cracked and dripping, the asteroids serve as a terrestrial glimpse of another world, exiles from outer space deposited in the gallery in living organic form.
Uniting the celestial and the maritime in an impossible landscape, Larner brings together the residue of our solar system — plastic popularised in the 1960s and escaped planetary matter billions of years old. The exhibition brings to the fore many themes that traverse Larner’s oeuvre: the interaction between object, body and space; the sensorial in the static, the life within the inanimate, the agency of matter, and the productive tensions that emerge from them.
Liz Larner (*1960 in Sacramento, California) lives and works in Los Angeles. Larner’s work has been the subject of numerous solo exhibitions at international institutions, including the Aspen Art Museum, Aspen (2016); Art Institute of Chicago, Chicago and Museum of Contemporary Art, Los Angeles (both 2015); Public Art Fund, New York (2006) and the Museum of Contemporary Art, Chicago (2002), among others.
Works by Larner are held in the collections of prominent international museums such as the Museum of Contemporary Art, Chicago; Museum of Contemporary Art, Los Angeles; MAK, Vienna; The Smithsonian American Art Museum, Washington; Stedelijk Museum, Amsterdam and the Whitney Museum of American Art, New York, among others.
Liz Larner’s work will be the subject of solo exhibitions at the Sculpture Center, New York in January 2022 (travelling to the Walker Art Center, Minneapolis in April 2022) and the Kunsthalle Zurich, Zurich in Summer 2022.
Current and upcoming exhibitions:
2 September – 11 December 2021
Raphaela Simon
Bleibtreustraße 15/16, 10623 Berlin
7 September – 11 December 2021
Rebecca Warren
Window Gallery, Goethestraße 2/3, 10623 Berlin
8 September – 11 December 2021
Rudolf Stingel
Schönheitssalon Omm
Kantstraße 139, 10623 Berlin
14 September – 23 December 2021
Matthew Barney
After Ruby Ridge
Bleibtreustraße 45, 10623 Berlin
4 November 2021 — 29 January 2022
Oehlen, Pendleton, Pope.L, Sillman
Goethestraße 2/3, 10623 Berlin
5 November 2021 – 8 January 2022
Adam Pendleton
Drawings
57 rue du Temple, 75004 Paris
6 November 2021 – 29 January 2022
André Butzer
Rohe Milch
Potsdamer Straße 77-87, 10785 Berlin
Press contact:
Natalia Fuller
london@maxhetzler.com
+44 20 7629 7733
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麦克斯·赫茨勒画廊(伦敦空间)很荣幸地宣布推出艺术家利兹·拉纳(Liz Larner,出生于1960年)的新作个展,为她即将开启的一系列重要机构展览提前预热。这些展览包括:将于2022年1月在纽约雕塑中心开幕的“不要把它放回原样”(Don’t put it back like it was),该展计划于2022年4月巡展至明尼阿波利斯沃克艺术中心;以及将于2022年夏天在苏黎世美术馆举办的“之下 之上”(below above)。
自上世纪80年代以来,利兹·拉纳一直致力于探索和延展雕塑创作的条件和可能性。她使用的材料跨越了雕塑性和日常性——陶瓷、铜、纱布、橡胶、链条、皮革和细菌培养物等,并采用一种极富创意的方式来处理每一种材料。通过对材料之特殊性和潜在可能性的深入研究,拉纳使物质转化成为可能。在她的实践中,不可预测性、生命和自治性占据着核心地位。
本次展览为拉纳多样化的作品整体开启全新篇章。展览包含了一件地板上的大型塑料蛇雕塑,墙面上的塑料雕塑作品,以及一系列釉面陶瓷小行星作品。《漂浮的海洋泡沫》(Meerschaum Drift)模仿海洋泡沫的形态,由艺术家多年收集的彩绘岩屑组成。拉纳使用多种类型的塑料——有些为原始形态的塑料,有些为经过切割或加热至热塑状态的塑料——以便改变其结构和使用效果。这件作品不但具有吸引观众的形式美感,而且冷峻地勾勒出人类废料的踪迹——它们最终将永恒地漂浮在地球表面。《漂浮的海洋泡沫》引起令人伤感的思绪,通过塑料来展现的海洋是如此令人悲伤,又是如此真实。此外,这件作品亦是对日常生活的一种非常私密的记录,一次对身体的追踪,揭示了所有那些被拒绝的或已经完成了自己的使命的事物。
在画廊地板上展出的釉面陶瓷小行星作品,展现了再现与抽象、现实与想象之间的张力。这些多孔的、破裂的、滴水的小行星,就像我们从地球上对另一个世界的一瞥,它们从外层空间逃逸、并被置于画廊空间中,在有机的形态中继续存在。
拉纳将天体和海洋结合在一片遥不可及的风景之中,使我们太阳系的残留物聚集在一起——在1960年代流行起来的塑料,有几十亿岁的行星逃逸物质。展览将贯穿拉纳所有作品中的诸多主题置于突出位置:物体之间的互动,身体与空间,静态的感知,无生命物质的生命,物质的作用,以及由此产生的生产紧张关系。
利兹·拉纳(1960年生于加州萨克拉门托)目前在洛杉矶生活和工作。她的作品曾以个展形式亮相于诸多国际艺术机构,包括:阿斯彭艺术博物馆,阿斯彭(2016);芝加哥艺术博物馆和洛杉矶当代艺术博物馆(2015);纽约公共艺术基金会(2006)和芝加哥当代艺术博物馆(2002)等。
拉纳的作品被永久收藏在:芝加哥当代艺术博物馆;洛杉矶当代艺术博物馆;维也纳应用艺术博物馆;史密森尼美国艺术博物馆,华盛顿;阿姆斯特丹市立博物馆;惠特尼美国艺术博物馆,纽约等。
利兹·拉纳的作品将于2022年1月在纽约雕塑中心(该展将于2022年4月巡展至明尼阿波利斯沃克艺术中心)、2022年夏天在苏黎世美术馆以个展的形式呈现。