clear

Rineke Dijkstra, Navid Nuur, Michael Raedecker

Freedom - The Fifty Key Dutch Artworks Since 1968 (group show)
Museum de Fundatie, Zwolle
19 January - 12 May 2019

An exhibition entitled Freedom – The Fifty Key Dutch Artworks Since 1968 will open at Museum de Fundatie in Zwolle on 19 January 2019. This ambitious and somewhat unconventional project will feature the fifty ‘key artworks’, the leading works produced in the Netherlands over the past fifty years. Freedom will be deliberately subjective, intended both as an invitation to debate and as a declaration of love for Dutch art. As such, Freedom will be unmissable for anyone who wants to see all the top art produced in the Netherlands over the past fifty years brought together in one show.

Freedom is being curated by art critic and author Hans den Hartog Jager (b. 1968). He has created a number of other exhibitions for Museum de Fundatie: More Light (2010) about the sublime in contemporary art, More Power (2014) about the possibility or impossibility of artists influencing processes in society and Behold the Man (2016), a portrait gallery that presented an overview both of social change and of developments in art over the past hundred years.

In these times of fragmentation, when the meaning of many things that for decades were taken for granted in the Netherlands is being called into question, we want to show the essential power of art: to open up new vistas, to challenge entrenched values, ethical standards and forms, and to reflect and anticipate the spirit of the age. That is why we have opted for ‘freedom’ as the underlying theme. This word has acquired a curious, almost populist political overtone in the Netherlands in recent years. Fifty years ago ‘freedom’ denoted the revolutionary developments that were breaking out of existing patterns, but now it has come to symbolise clinging to ‘authentic Dutch values’. At the same time, it is easy to maintain that a quest for freedom, independence and uniqueness has remained a core value of contemporary art throughout this period.

With the deliberate, almost classic choice of fifty ‘crucial’ works, we hope to highlight the main elements that constantly recur in the current debate. Art should unashamedly show what it can contribute to ideas, what a unique role it can play in society, whether it be a matter of the importance of a tradition (artistic or otherwise), the way in which art represents national identity, or the degree to which it reflects changing relationships in society. However, just as important is the fact that the exhibition will set out to show visitors how much fantastic art has been produced in the Netherlands over the past fifty years, from Jan Dibbets’ Perspective Correction (1968) to Ria van Eyks My Woven Diary (1976-77), from René Daniels’ Aux Déon (1985) to Natasja Kensmil’s Self-portrait with Cross (1999) and from Guido van der Werve’s Number Eight: Everything Is Going To Be Alright (2009) to Melanie Bonajo’s Night Soil #1 (2016). For decades, art in the Netherlands has been strong, vibrant and free – and it is time to put it firmly in the spotlight.

By bringing so many ‘key artworks’ of the past few decades together, we hope to re-energise the debate on the role of art in society. Ultimately, however, we hope above all that Freedom will be a celebration of the power of art, with an exhibition and a book designed to bring pleasure, inform and provoke thought, so important in the world today.

Museum de Fundatie, Zwolle


Additional:

Navid Nuur

Nine Iranian Artists in London: The Spark Is You (group show)
Parasol unit foundation for contemporary art, London
22 May – 30 August 2019


Navid Nuur

THE SPARK IS YOU: Parasol unit in Venice (group show)
Conservatorio di Musica Benedetto Marcello di Venezia, Venice
9 May - 23 November 2019.

In celebration of its 15th anniversary, Parasol unit foundation for contemporary art is delighted to present, through a prism of classical Persian poetry, an exhibition of works by nine contemporary Iranian artists at the Conservatorio di Musica Benedetto Marcello di Venezia from 9 May to 23 November 2019.

Curated by Ziba Ardalan, Founder, Artistic and Executive Director of Parasol unit, London, THE SPARK IS YOU: Parasol unit in Venice exhibition has at its heart the need to develop mutual respect and understanding between different nations and cultures. Fittingly, this exhibition coincides with the 200th anniversary of West-oestlicher Divan (West-Eastern Divan), 1819, a book of lyrical poems written by Johann Wolfgang von Goethe in homage to the fourteenth-century Persian poet Hafez.

The nine artists, all of whose vision looks beyond the ordinary, were selected for the affinity with openness, respect and human interconnectedness that is evinced in their work. Stemming directly from a long and magnificent tradition of Persian poetry, this philosophy of life is a fundamental element of the Iranian/Persian character. Dialogues open up across the exhibition, not only between the different generations of artists and the geographical regions from which they now draw inspiration, but also through a common desire to interact openly and respectfully with others. And, just as Goethe through his poetry sought to bridge East and West, these artists too seek to communicate mutually across all borders.

THE SPARK IS YOU: Parasol unit in Venice exhibition of paintings, sculptures, installations, multi-media and film brings together Iranian artists of different ages, who now live and work either in or outside of Iran. Having had a similar early education and grounding in classical Persian poetry they have all benefited from thought processes that are rooted in concepts such as the use of metaphor, openness, dialogue and figurative thinking. Shown together, their works create a sense of exchange that is felt in many ways across and beyond the exhibition, not only between the art works but also in the desire of the artists to communicate with thinkers from other cultures, and finally between art and music.

Venice, with its renowned history of being central to so many connections between East and West, is an ideal setting for The Spark is You exhibition. Presented at the Conservatorio di Musica in Venice, visual art and music interact harmoniously, a reminder that different art forms are all part of a single discourse. Each artist presents their work in a separate room or an outdoor courtyard, which allows ample mental space for viewers to reflect on the exhibition and create their own dialogue with and between the works.

THE SPARK IS YOU: Parasol unit in Venice exhibition highlights the vital importance of open dialogue in the development of greater understanding between all nations. Particularly in the tumultuous and uncertain times of today, this exhibition is timely and informative in ways that we hope will further engender curiosity, understanding and appreciation of other cultures and stimulate more conversations.


Navid Nuur

₡ U R ₹ € ₦ ₢ ¥, curated by Lucie Fontaine (group show)
NOME, Berlin
2 March - 19 April 2019

The etymology of the word “currency” relates to flowing, running, and circulating.
Aligned with this liquid condition, ₡ U R ₹ € ₦ ₢ ¥ brings together works that deal with money as a channel, money as a concept, money as a formal (or informal) structure.

In the United States, the birth of Conceptual Art overlapped with the end of the Gold Standard in 1971, and since then, the entwinement of art and finance has become evermore abstracted. The artworks assembled in ₡ U R ₹ € ₦ ₢ ¥ manifest a double value—that of the artwork on the market, and that of the money and materials employed to make this work. From Agnieszka Kurant’s representation of multiple forms of currency to Michal Helfman’s drawing inspired by the greenish imagery of the US dollar and Pratchaya Phinthong’s installation around the exchange of rice in his native Thailand; from Paolo Cirio’s imagination of a new virtual currency to Goldin+Senneby’s bound documents of confidential trading strategies, acquired in exchange for artworks. These artworks perform in various ways the acrobatics of the complex relationships between art and money.

₡ U R ₹ € ₦ ₢ ¥ builds upon Lucie Fontaine’s previous show Soft Shock, which revolved around the origins and philosophy of Bitcoin.

NOME, Berlin


Rineke Dijkstra

Hockney – Van Gogh: The Joy of Nature (group show)
Van Gogh Museum, Amsterdam
1 March - 26 May 2019

The major exhibition Hockney – Van Gogh: The Joy of Nature demonstrates the unmistakable influence that Vincent van Gogh had on the work of David Hockney (1937). On view from 1 March to 26 May 2019.
Visitors learn about both artists’ fascination with nature, their use of bright colours and their experimentation with perspective. Hockney’s monumental Yorkshire landscapes play a central role.
The exhibition Hockney - Van Gogh: The Joy of Nature features some 120 works, including highlights such as the imposing The Arrival of Spring in Woldgate, East Yorkshire (2011) from the Centre Pompidou collection, Hockney’s intimate sketchbooks and his iPad drawings. Photographer Rineke Dijkstra created a portrait of the artist, who is now 81 years old, especially for this exhibition.

Van Gogh Museum, Amsterdam


Rineke Dijkstra

RE-VISIONS (group show)
Pinakothek der Moderne - Sammlung Moderne Kunst, Munich
28 February - 17 November 2019

For more than four decades Ann and Jürgen Wilde have been compiling their unique collection of modern and contemporary photography, which has been affiliated with the Bayerische Staatsgemäldesammlungen since 2010, as the Ann and Jürgen Wilde Foundation. Works by photographers like Aenne Biermann, Florence Henri, and Germaine Krull lie at the collection’s core. The program at Galerie Wilde (1972–1985), which was the only gallery in Germany to specialize in photography at the time of its founding, was also innovative for including female photographers, among them Jan Groover, Marcia Resnick, Gwenn Thomas, and Deborah Turbeville. To this day, Ann Wilde remains particularly interested in promoting and acquiring work made by female artists and photographers. On the occasion of her birthday, the donor is opening her private collection to the public for the first time. Re-visions presents photographs that speak to Ann Wilde personally: work from the 1920s up to the present, made by artists like Johanna Diehl, Rineke Dijkstra, Marie Jo Lafontaine, Barbara Probst, Alexandra Ranner, Judith Joy Ross, Martina Sauter, Eva-Maria Schön, Kathrin Sonntag, and Heidi Specker.

Pinakothek der Moderne - Sammlung Moderne Kunst, Munich


Michael Raedecker

Where is the Madness You Promised Me (group show)
Hudson Valley MOCA, Peekskill
16 February 2019 - 21 April 2019

Michael Raedecker, That's the way it is, 2003. Photo by Maksim Akelin. Courtesy of Hudson Valley MOCA
Michael Raedecker, That's the way it is, 2003. Photo by Maksim Akelin. Courtesy of Hudson Valley MOCA

Where is the Madness You Promised Me brings together a selection of international dystopian paintings that go beyond the typical gray, post-apocalyptic scene. Inspired by personal experience and real-life observations, the works in this exhibition imagine potential dire futures while remaining firmly rooted in fears and anxieties sparked by present conditions.

The paintings presented act as vehicles of social commentary by exploring extreme classism, deteriorating environments, global reliance on technology, and various ills that could spawn bleak new futures. [...]

The haunting and occasionally humorous paintings in the exhibition are symptomatic of artists’ suspicion of the status quo and an unsteady fear of tomorrow—they are warning signs painted to awaken the observer. In presenting these bleak absurdities, Where is the Madness You Promised Me demands a critical look at the present and the structures upon which we stand.

Hudson Valley MOCA, Peekskill


Rineke Dijkstra

Treasury! Masterpieces from the Hermitage (group show)
Hermitage, Amsterdam
2 February - 25 August 2019

Rineke Dijkstra, Marianna (The Fairy Doll), 2014 (film still) © Rineke Dijkstra
Rineke Dijkstra, Marianna (The Fairy Doll), 2014 (film still) © Rineke Dijkstra

The tenth anniversary of the Hermitage Amsterdam will trigger a year-long celebration in 2019. The initial event will be Treasury!, the first of the two anniversary exhibitions, featuring a cross-section of masterpieces from the entire collection of the St Petersburg State Hermitage. Including big names in art history like Bernini, Da Vinci, Fabre, Matisse, Rembrandt and Velázquez. Also on show are outstanding works of art from cultures dating back to early prehistory (23,000 BC) and from Ancient Egypt, Classical Greece and Rome; as well as antiquities from civilisations as far afield as Siberia, the Middle East and East-Asia. In the main gallery, below a spectacular piece of light art, you will enjoy thrilling combinations of works from widely differing times and places. What, for example, links Maarten van Heemskerck’s sixteenth-century Calvary triptych with an image of the Buddha made in twelfth-century China? To find out, visit Treasury!

Hermitage, Amsterdam


Navid Nuur

THE AFTER GLOW III (solo show)
NDSM-werf, Amsterdam
18 January - 21 April 2019

Navid Nuur, Hitherto, 2003-2019. Photo: Cassander Eeftinck Schattenkerk. Courtesy of the artist and NDSM-werf, Amsterdam
Navid Nuur, Hitherto, 2003-2019. Photo: Cassander Eeftinck Schattenkerk. Courtesy of the artist and NDSM-werf, Amsterdam

Navid Nuur (Teheran, 1976) is fascinated by the functioning of human perception. His artworks are therefore an interplay between material, architecture and sensory phenomena. Light and darkness are a recurring element in his works of art.

For Navid Nuur, light is anything but unambiguous. In his series THE AFTER GLOW he considers the unbridled possibilities of light with an almost metaphysical curiosity. THE AFTER GLOW III is his latest work of art, which was created together with the NDSM-werf. The light art project intervenes in four locations with the architecture of the old shipyard and adds a mysterious nocturnal brilliance to this location.

NDSM-werf, Amsterdam