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Vera Lutter, Thomas Struth et al.

Civilization: The Way We Live (group show)
Mucem, Marseille
24 February – 28 June 2021

Thomas Struth, Pergamon Museum 1, Berlin, 2001, 2001, © Thomas Struth
Thomas Struth, Pergamon Museum 1, Berlin, 2001, 2001, © Thomas Struth

Civilization: The Way We Live Now is an international photography exhibition of monumental scale, featuring the work of over 100 contemporary photographers from Africa, the Americas, Asia, Australia and Europe with over 200 original photographs being exhibited.

In this increasingly globalised world, the exhibition explores photographers’ representations of life in cities as its key theme and presents a journey through the shared aspects of life in the urban environment. The selected works create a picture of collective life around the world and document patterns of mass behaviour. The exhibition looks at the phenomenal complexity of life in the twenty-first century and reflects on the ways in which photographers have documented, and held a mirror up, to the world around us.

Mucem


Additional:

Thomas Struth et al.

Modern Times. Industrial Themes in Painting and Photography (group show)
Bucerius Kunst Forum, Hamburg
26 June – 26 September 2021

Installation view: Bucerius Kunst Forum, Hamburg, 2021, photo: Ulrich Perrey
Installation view: Bucerius Kunst Forum, Hamburg, 2021, photo: Ulrich Perrey

From 26 June to 26 September 2021, the Bucerius Kunst Forum will present a large-scale exhibition devoted to the handling of industrial themes in painting and photography – an absolute first. Never before has artists’ engagement with the emergence and progress of industry and the resulting changes in the landscape and working world been examined by way of a dialogue between the two media.

Modern Times. Industrial Themes in Painting and Photography brings together about 30 paintings and some 170 photographs. Based on powerful images spanning a trajectory from the early days of industrialisation to the present day, and from Romanticism to contemporary photography, the show highlights how the artistic treatment of industrial themes has developed and changed over the past 175 years. Works by Thomas Struth are included.

Bucerius Kunst Forum


Thomas Struth et al.

Von Erde schöner. The collection of the MGKSiegen (group show)
Museum für Gegenwartskunst Siegen, Siegen
28 May 2021 – 13 February 2022

installation view: MGKSiegen, 2021, photo: Philipp Ottendörfer
installation view: MGKSiegen, 2021, photo: Philipp Ottendörfer

The new presentation of the museum’s collection, “Von Erde schöner” (Prettier from Earth), continues the dialogue between the Lambrecht-Schadeberg Collection and the Contemporary Art Collection at MGKSiegen which began last year. The title of the exhibition is borrowed from Peter Piller’s photo series of the same name. The winner of the Rubens Promotional Award (2004) has developed his own fields of collection from a firm’s estate comprising 20,000 aerial photographs of German single-family homes. In a similar way, “Von Erde schöner” seeks connecting threads within our own collection, so highlighting a special interest in spatial themes.

The relations between natural and artificial landscapes, the relationships between people, architecture and places, and the construction of pictorial space play a role, as well as questions of distance, proximity and our personal perceptions of space. “Von Erde schöner” undertakes a cartography of the museum’s own collection. Works by Thomas Struth are included. 


MGKSiegen


Thomas Struth

Archive Matrix Assembly: The Photography of Thomas Struth 1978–2018 (publication)

Photo: Kris Graves
Photo: Kris Graves

Archive Matrix Assembly: The Photography of Thomas Struth 1978–2018 presents the first comprehensive, systematic theory of Thomas Struth’s main body of photographic work from its beginnings in the late 1970s until his most recent work in 2018. The book presents a unique, evolutionary understanding of the work, proposing that it has established three stages of production: archive, matrix, and assembly. Together the three stages form a developmental system that characterizes the individual photographs, their relation to their subject matter, and how they form larger, significant collections of images. The book project accomplishes three main goals: it develops a comprehensive critical reading of the work, it serves as a monograph of the artist, and it provides an extensive analysis of the photographs at all stages, including the less discussed, more recent photography, which is placed on par with the earlier work for which Struth first became internationally renowned.

Order a copy here.


Vera Lutter

Museum in the Camera (solo show)
Resnick Pavilion, Los Angeles County Museum of Art, Los Angeles
1 April – 12 September 2021

Vera Lutter,
Vera Lutter, "Rodin Garden, I: February 22, 2017", 2017, Los Angeles County Museum of Art, promised gift of Sharyn and Bruce Charnas © Vera Lutter

From February 2017 to January 2019, New York-based artist Vera Lutter was invited by LACMA to work in residence at the museum, creating a new body of work examining the campus architecture, galleries, and collection holdings. "Vera Lutter: Museum in the Camera" features the compelling photographs made during her two-year residency. Lutter uses one of the oldest optical technologies still in use, that of the camera obscura. Before the invention of photography, it was known that if light traveled through a tiny hole into a darkened room, an image of the external world (off which the light rays had reflected) would re-form upside down on a wall opposite the tiny opening. By building room-sized cameras and placing unexposed photo paper across from a pinhole opening, Lutter has adopted the camera obscura as her singular working method, resulting in photographs with an ethereal, otherworldly beauty.

Los Angeles County Museum of Art