Adam Pendleton et al.
To Be Determined (group show)
Dallas Museum of Art, Dallas
27 September – 27 December 2020
To Be Determined juxtaposes works from many centuries, geographies, and cultures to trace how the significance of art can shift when presented in new contexts. Drawn from the DMA’s global collection, the exhibition features works of art, sacred objects, and design from the 13th century to the present, including 13 new acquisitions and important paintings by Dallas-based artists. To Be Determined affirms the resilience of individuals and communities through evocative—and occasionally unexpected—groupings of works that resonate with current and historical struggles.
Organized through collaboration among the DMA’s entire curatorial team, the exhibition explores what it means to be present with works of art after extended time apart. It shines a light on how viewers create their own meaning for the works they engage with. To Be Determined takes an audience-centered, open-ended approach to interpretation, encouraging viewers to make personal connections.
Dallas Museum of Art
Charles Gaines, Adam Pendleton, Christopher Wool et al.
Artist Plate Project
The Coalition for the Homeless has partnered with 50 celebrated artists to create limited-edition plates that are offered for sale to support services for homeless and poor New Yorkers in the wake of the COVID-19 crisis. Each artist-designed porcelain plate will be produced by the art editions company Prospect in editions of 175 and sold for $175 per plate. The sale of just one plate can feed 75 homeless and hungry New Yorkers.
The Artist Plate Project is available for purchase at coalitionforthehomeless.org/artistplates through December 15, 2020
Coalition for the homeless
Charles Gaines, Adam Pendleton et al.
Grief and Grievance: Art and Mourning in America (group show)
New Museum, New York
17 February – 6 June 2021
The New Museum is proud to announce “Grief and Grievance: Art and Mourning in America,” an exhibition originally conceived by Okwui Enwezor (1963-2019) for the New Museum, and presented with curatorial support from advisors Naomi Beckwith, Massimiliano Gioni, Glenn Ligon, and Mark Nash. On view from January 27 to June 6, 2021, “Grief and Grievance” will be an intergenerational exhibition, bringing together thirty-seven artists working in a variety of mediums who have addressed the concept of mourning, commemoration, and loss as a direct response to the national emergency of racist violence experienced by Black communities across America. The exhibition further considers the intertwined phenomena of Black grief and a politically orchestrated white grievance, as each structures and defines contemporary American social and political life. Included in “Grief and Grievance” are works encompassing video, painting, sculpture, installation, photography, sound, and performance made in the last decade, along with several key historical works and a series of new commissions created in response to the concept of the exhibition.
US/U.S., 2020 featured on the cover of Artforum, October/November 2020 issue
Adam Pendleton is featured on the cover of Artforum October / November 2020 issue, as part of "Projects: Art of the Possible".
"For this election issue, Artforum asked nine artists to contribute projects reflecting on a moment that requires us to think the unthinkable. As of this writing, we are waiting to see whether Election Day 2020 will mark an end to the hallucinatory nightmare of Donald Trump's presidency; whether it will constitute a victory of a setback for the white supremacists who enabled him to rise; whether the reactionary violence against Black Lives Matter protesters and other enemies of the regime will effloresce into civil war. We are waiting to see if the unimaginable occurs. But if we are to truly move beyond this presidency and all the forms of violence and injustice that made it possible, we must change in ways that, while positive and necessary, are almost equally far-fetched. "
In a recent interview with Artforum, Adam Pendleton speaks about his work US/U.S., 2020, discussing also his use of spray paint. Watch the video by clicking here.
Adam Pendleton – Signed Edition (publication)
The first encompassing publication on the work of the groundbreaking American artist Adam Pendleton, published by Phaidon, is now available for pre-order.
Adam Pendleton's original and powerful body of work has been described as the embodiment of a new era. His multifaceted projects, which include painting, collage, film, and publishing, re-contextualize historical and theoretical positions on abstraction, blackness, and the avant-garde. Working predominantly in black-and-white, Pendleton often creates 'total works' that envelop viewers and push the limits of contemporary discourse.
"I Voted" sticker for the 26 October issue of New York Magazine
48 artists including Adam Pendleton have designed special "I Voted" stickers for four different covers of the October 26 issue of New York Magazine.
The idea was initiated by New York Magazine and nonpartisan organization "I am a voter" to encourage people to engage in the mail-in and early voting for 2020 US Presidential Election. The stickers will be distributed along with the issue, and also be available at book-stores, museums, non-profit organisations, and official polling sites across the country.
New York Magazine
Who Is Queen? (solo show)
The Museum of Modern Art, New York
11 September 2021 – 2 January 2022
The Museum of Modern Art will present Adam Pendleton: Who Is Queen?, a large-scale multimedia installation that will be on view in the Donald B. and Catherine C. Marron Atrium. Based in New York, Adam Pendleton (American, born 1984) is a Conceptual artist who uses historical and aesthetic content from visual culture to explore the ways in which context influences meaning. Pendleton reconfigures words, forms, and images to provoke critical questioning.
For this presentation, Pendleton’s monumental installation will bring the formal mechanics of musical counterpoint—the folding and unfolding of simultaneous voices—into contact with the aesthetics of protest. For the duration of the exhibition, MoMA’s Marron Atrium will be transformed into an arena encompassed by three wooden, floor-to-ceiling vertical scaffolds. These modular systems, built from four basic units, will be designed to resemble balloon framing used in American house construction.
The Museum of Modern Art