Giulia Andreani’s work is the subject of Cold Painting, a solo exhibition at Musée d’art contemporain de Lyon. Spanning fifteen years, the exhibition traces the development of Andreani’s painting practice, which explores representations of different forms of power in the twentieth century. Drawing on war, art, official history, or marginal histories, Andreani’s works unearth vestiges of the past and highlight their resonance within the context of contemporary societal and political issues.

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Giulia Andreani’s work will be the subject of the solo exhibition, Sabotage, on view at the Hamburger Bahnhof – Nationalgalerie der Gegenwart, Berlin from 27 February 2026. This exhibition marks Andreani’s first institutional solo exhibition in Germany. Her paintings will be presented alongside works from the the Antikensammlung (Collection of Classical Antiquities), the Kunstgewerbemuseum (Museum of Decorative Arts), the Museum Europäischer Kulturen (Museum of European Cultures), and the Kupferstichkabinett (Museum of Decorative Arts) of the Staatliche Museen zu Berlin, reframing historical collections from a contemporary perspective.

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Giulia Andreani’s solo exhibition Sabotage at the Hamburger Bahnhof, Berlin, marks the museum’s 30th anniversary and is the artist’s first institutional solo show in Germany. The exhibition catalogue, published by Silvana Editorale, is Volume 17 of the Hamburger Bahnhof’s catalogue series. Featuring texts by Cecilia Alemani, Giulia Andreani, Sam Bardaouil and Ludovic Delalande, Sabotage is edited by Sam Bardaouil & Till Fellrath.

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This monograph was published on the occasion of Guilia Andreani’s solo exhibition, L’improduttiva at Collezione Maramotti, Reggio Emilia, 2023–2024. Featuring a cohesive body of new work, the book also includes a selection of archival sources and essays by Lucrezia Calabro Visconti, curator at Pinacoteca Agnelli in Turin, Emanuele Coccia, philosopher, and Sara Piccinini, Director of Collezione Maramotti.

Mousse Publishing

This comprehensive monograph shows the full range of Giulia Andreani’s work from 2011 to the present in more than 150 paintings, watercolors, and sculptures. In various shades of Payne’s gray, Andreani translates historical images into compelling representations of women, power, and society. The monograph includes texts by Flavia Frigeri and Erik Verhagen. The book is now available for purchase on the Galerie Max Hetzler publications website. 

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